Artist description Principle writer, Joe Lynch gets most of his musical influence from the fab four, and writes original songs in a beatlesque stye.

Music Style Beatlesque pop/rock, retro, mod, brit pop

Musical Influences Beatles, Paul Mccartney, JOhn Lennon, George Harrison, Ringo Starr

Similar Artists Beatles, Monkees, British Invasion

Artist History Just a group of guys who love the Beatles sound, and hope that you do too! Principle writer, Joe Lynch gets most of his musical influence from the fab four, and writes original songs in a beatlesque stye. The Beatlescene cd is here! Go to our official site and pick up your copy today!!!!! send us an e-mail! The official site it http://www.cafepress.com/beatlescene. And to pick up some Beatlescene t-shirts and hats and stuff, go to http://www.cafepress.com/beatlescene. Here are some reviews we've received: "Is that you Mr. Lennon? Great Beatlesque tune. Nice hook. Theres nothing to complain about here. If the T.V show FREINDS need a new signature tune, this is it. POP music the way it should be. Keep it up!" Reviewed by: NastyT from Blackstone, Massachusetts xxxxxxxxxxxxxxxxxxxxxxx "Psychedelic sunny song Great vocal intro-nice swing to the song-kind of beatlesque-I like the effects on the vocal-good upbeat song- strong chorus- appealing chord changes-very well thought out arrangement-great guitar work beautiful outro." Extra Credit: Male Vocals, Guitars, Drums, Production, Melody, Beat, Mood Special Award: Best Feel Good Track - MilagroSaints Raleigh, North Carolina xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx Nice, swinging song Very poppy. This is a catchy song. I've been trying to explain to other bands the difference between repeating melodies and hooks. Both your verse and your chorus have catchy melodies. Those are hooks. The song is well arranged. It's interesting, and the different sections are well separated. The strength in this band is with the interesting arrangements. Like the Beatles, no one really stands out as an outstanding performer -- but the combination makes for some really interesting music. Good luck!" - swb NYC, New York xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx All Beatles songs 1965-67 squashed into one friendly heap I found myself musing midway into this song, would this band or this person have ever in one million years have been able to create this without Lennon/McCartney/Sir George Martin? That's not a criticism of this piece, so much as an interesting topic; it goes without saying that every post-Beatles song is either a borrow or a rebellion of their inescapably long shadows. But that bouncy eenk eenk eenk guitar under the hello-helloes, with go down to that interesting minor chord each time; that interestingly one-time-only appearance of the odd solo horn after the bridge; the Blue Jay Way ending noises; it's almost a salute, or a brownnosing student mimicking the professor... and getting an A, too. This was very polished and pleasant; the vocals are either Brit or Anglophilian Kansas boys imitating Brits, the arrangement was sooooo Liverpudlian but had all that nice variety (why not imitate a Tiffany if you're making a stained glass lamp)...? And I'm very susceptible to hooks and tomorrow, as I mow the grass, I'm liable to sing "Hello, Hello.... Where/Whateh-eh-verr-er" My only constructively critical remark would be lyrical content. That's what separated John and Paul from their talented but somehow not-as-brightly burning Britpop Invader friends.... even though there are plenty of instances of Lennon/McCartney assuming that slightly smug "I'm relaxed and that's way you ought to be but I bet you can't" songwriting attitude (Paul's Good Day Sunshine; John's Rain).... well, (a) they did it already and (b) lyrics like "I'll know where I'll be can you say the same" or however that went are not as crystalline as "And when the sun is out I've got something I can laugh about" or as inventive as "They sip into the shade and sip their lemonade".... in any case, that's what keeps this artist or artists from getting the extra credit for an A+.... I didn't find much reward in the lyrics. But the beautifully rendered pop structures and writing and performance are all excellent. Five bucks says you own an Apples in Steroe CD..." Extra Credit: Male Vocals, Guitars, Drums, Bass, Production, Melody, Beat, Mood Special Award: Best Feel Good Track - CVH Indianapolis, Indiana

Group Members Joe Lynch: all instruments and vocals

Instruments Guitars, keys, bass, drums

Albums Retro-Spectacle (Coming Soon)

Press Reviews Just a group of guys who love the Beatles sound, and hope that you do too! Principle writer, Joe Lynch gets most of his musical influence from the fab four, and writes original songs in a beatlesque stye. The Beatlescene cd is here! Go to our official site and pick up your copy today!!!!! send us an e-mail! The official site it http://www.cafepress.com/beatlescene. And to pick up some Beatlescene t-shirts and hats and stuff, go to http://www.cafepress.com/beatlescene. Here are some reviews we've received: "Is that you Mr. Lennon? Great Beatlesque tune. Nice hook. Theres nothing to complain about here. If the T.V show FREINDS need a new signature tune, this is it. POP music the way it should be. Keep it up!" Reviewed by: NastyT from Blackstone, Massachusetts xxxxxxxxxxxxxxxxxxxxxxx "Psychedelic sunny song Great vocal intro-nice swing to the song-kind of beatlesque-I like the effects on the vocal-good upbeat song- strong chorus- appealing chord changes-very well thought out arrangement-great guitar work beautiful outro." Extra Credit: Male Vocals, Guitars, Drums, Production, Melody, Beat, Mood Special Award: Best Feel Good Track - MilagroSaints Raleigh, North Carolina xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx Nice, swinging song Very poppy. This is a catchy song. I've been trying to explain to other bands the difference between repeating melodies and hooks. Both your verse and your chorus have catchy melodies. Those are hooks. The song is well arranged. It's interesting, and the different sections are well separated. The strength in this band is with the interesting arrangements. Like the Beatles, no one really stands out as an outstanding performer -- but the combination makes for some really interesting music. Good luck!" - swb NYC, New York xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx All Beatles songs 1965-67 squashed into one friendly heap I found myself musing midway into this song, would this band or this person have ever in one million years have been able to create this without Lennon/McCartney/Sir George Martin? That's not a criticism of this piece, so much as an interesting topic; it goes without saying that every post-Beatles song is either a borrow or a rebellion of their inescapably long shadows. But that bouncy eenk eenk eenk guitar under the hello-helloes, with go down to that interesting minor chord each time; that interestingly one-time-only appearance of the odd solo horn after the bridge; the Blue Jay Way ending noises; it's almost a salute, or a brownnosing student mimicking the professor... and getting an A, too. This was very polished and pleasant; the vocals are either Brit or Anglophilian Kansas boys imitating Brits, the arrangement was sooooo Liverpudlian but had all that nice variety (why not imitate a Tiffany if you're making a stained glass lamp)...? And I'm very susceptible to hooks and tomorrow, as I mow the grass, I'm liable to sing "Hello, Hello.... Where/Whateh-eh-verr-er" My only constructively critical remark would be lyrical content. That's what separated John and Paul from their talented but somehow not-as-brightly burning Britpop Invader friends.... even though there are plenty of instances of Lennon/McCartney assuming that slightly smug "I'm relaxed and that's way you ought to be but I bet you can't" songwriting attitude (Paul's Good Day Sunshine; John's Rain).... well, (a) they did it already and (b) lyrics like "I'll know where I'll be can you say the same" or however that went are not as crystalline as "And when the sun is out I've got something I can laugh about" or as inventive as "They sip into the shade and sip their lemonade".... in any case, that's what keeps this artist or artists from getting the extra credit for an A+.... I didn't find much reward in the lyrics. But the beautifully rendered pop structures and writing and performance are all excellent. Five bucks says you own an Apples in Steroe CD..." Extra Credit: Male Vocals, Guitars, Drums, Bass, Production, Melody, Beat, Mood Special Award: Best Feel Good Track - CVH Indianapolis, Indiana

Location Greenville, SC - USA

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