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Crush, Themp3.com/therealcrush

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    Artist description
    The Crush fuse the glitter of Brit-pop with American grunge, creating a sound that simultaneously grates and shines.
    Musical Influences
    The Pixies, The Auteurs, Joy Divison, The Beatles, Jonathan FireEater, My Drug Hell, Siouxsie and the Banshees, Bauhaus, Suede, James
    Similar Artists
    Suede, The Vines, Jane's Addiction, James, BRMC, The Beatles, David Bowie, Ours, Pixies, Coldplay, Auteurs, Radiohead
    Group Members
    Current: Judson Abts, Dan Hayward, David Jackel, Ken MacLeod. Blood Red Moon: Nick Bacchus, Bill Elsman, David Jackel, Robert Jackel
    Albums
    Blood Red Moon (1999) Debutante EP (2001)
    Press Reviews
    They're back. About time. I was having withdrawal. Ever since I reviewed The Crush's debut "Blood Red Moon" a year ago, I've been wanting to hear more. This creatively brave and psychologically battered group from Boston has remained in my top three list of indie-music.com favorites. When I saw the package from their MP3 site in my mailbox this afternoon, I tore it open right there on the sidewalk. I brought it in, put it in my CD player, sat back, closed my eyes, hit "play" on the stereo remote, and thought, "Okay guys, thrill me." The tracks on this EP pack enough power, experimentation, and fascinating imagery to make me (temporarily) forgive the band for only sending me three songs. It's okay. I've got my fix for now. But if this is an indication of what's coming from their next full-length work, I'm warning the neighbors now. Volume levels will be high. Dogs will whimper. Children will cry. Windows will shatter.In the first two songs, "Debutante" and "Voyeur," these guys again show their skill of tainting wholesome icons with something raw and sinister. The lovely debutante has Irish skin that "beats like a wound." And in "Voyeur," vocalist David Jackel's voice takes on the unnerving suavity of a mentally disturbed Broadway star as he breathes the word "you" at the start of each line: "You, all thin and unraveling, You, you're barely even there, You, all bones and mascara, You, you're just ivory wrapped in hair." They go on to revive the graphic, insulting bitterness I love them for: "You, you'll chunk out like your mother. You'll keep your smile, but the rest with go to her." Later, "Lift the streets, drown the city in asphalt, and piss the posters clean tonight." Both the music and Jackel's voice haven't lost their jagged edges. The lead guitar has a nervous breakdown in its careening solo in "Voyeur." "Debutante" is hard rock with high staccato synthesizer notes on the chorus and a razor blade ending. And as always, Jackel's voice is dressed in a bloodstained tuxedo. The final track, "Jon is Gone," is a hypnotic, angry ballad of loss and shame. I liked this one for the inward turn it takes. Instead of lashing out, the singer opens the window to his soul to show the feeling of abandonment. As the song ends, he rages like only he can, "Show us your head, man, if you're there! Show us all man, if you're there! Whose side are you on?" He keeps repeating that last line to the end, unforgiving and building the protective wall. (Jennifer Layton, Indie-Music.com, April 2001)
    Additional Info
    Please visit www.thedetroitproject.com. In just five minutes you can help fight terror and protect the environment.
    Location
    Boston, MA - USA

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