Artist description Singer/Songwriter Pop Rock

Music Style Pop Rock

Musical Influences The Beatles, Elliot Smith, Radiohead, Mazzy Star, Pretenders, Sinead OConnor

Artist History Please note that Liz now uses her Married name, Kazyk. Wellville is a vehicle for the songs of lead singer and guitarist Liz Larizza, who's odyssey as a singer/songwriter led her from her Australian homeland to Toronto's coffeehouses and eventually to Orlando, FL where she fronted her first band the short-lived, but critically acclaimed Beat-Me-Ups. In furthering her singing/songwriting skills, Larizza formed Wellville.....a perfect showcase for her pop sensibility and sultry vocals.

Group Members Liz Kazyk:vocals,guitar, Dave Kazyk: bass

Instruments guitar, bass, drums, guitar, B3 Organ/Piano

Press Reviews Please note that Liz now uses her married name, Kazyk since these reviews: Artist: Wellville Album Title: Happier Girl Date of Release: 1998 (approx.) AMG Rating: 4 1/2 stars (Best-of-Artist)Genre: Rock AMG EXPERT REVIEW: Wellville is a vehicle for the songs of lead singer and guitarist Liz Kazyk, who, on this eight-song, 28-minute CD makes a convincing entry into the crowded field of female pop-rock singer-songwriters. That is, she would be making such an entry if this disc were on a national label instead of being a self-produced effort that the band sells at its gigs. Liz sometimes sounds like Sarah McLachlan, especially on the title track, which is reminiscent of McLachlan's "Building A Mystery." But she is instead building a series of troubled self-portraits about the search for love and its consequences, and singing them over appealing rock arrangements in a conventional folk-rock style. Especially effective is "Serial Killer," a third-person story about an affair with a married man that abruptly shifts into the first person and becomes far more threatening. But there isn't a weak track here, and if the disc is brief, it bodes well for later efforts. -- William Ruhlmann----Wellville "Not Letting Anyone Down" By Kathleen Perricone Connections Magazine Nov. 1999In a town where the girls have to push and shove to play alongside the boys, Liz Kazyk, singer-songwriter for Wellville, stands relatively alone in the petite Orlando population of female singers and musicians. Liz accepts her role, “It’s just the way it is here,” she says. “It’s not on purpose. It’s a rock town.” Despite all the obstacles along the path of success, Wellville has evolved into a mature band whose songs speak a language that can break any gender barrier. Liz explains: “A lot of our big fans who come to our shows every time are guys. They tell me how they feel, and they can really get emotional.” With her song “Happier Girl” receiving national airplay on Fox’s “Party of Five,” Liz was asked to lend her incredible songwriting skills to yet another “made for television “ song. “If You Let Me Down” was originally written for the WB show “Felicity,” and although that opportunity knocked and ran, the song quickly became a fan favorite. Nikki Knight, host of XL 106.7’s Alternative Static, told Liz if she recorded the song, Knight would play it on her show. With demanding fans nipping at Wellville’s heels for more recorded material after their 1998 CD “Happier Girl,” Liz and company briefly returned to recording, spending a week in her home hashing out a three-song EP. The single, “If You Let Me Down,” is featured on the new disc, plus two other tracks, “Cross Your Mind” and “5 Days” and is available at Borders and Park Avenue CDs, both in Winter Park. The busy bees of Wellville are continuing to record for another CD which will feature all the songs on the new EP, as well as a revamped version of “Love You” from the “Happier Girl” CD. “We’re going to be doing some more recording with a guy down in South Florida, playing with a band signed to RCA who are really interested in us,” Liz says. “We’ll see how it sounds and if it works out, and then shop it.” Wellville is absolutely a band not to miss! Whether they are a rock outfit in venues like House of Blues or Sapphire or splendidly acoustic in the intimate atmosphere of Borders, they metamorphose to fill the job with elegance and style. In November and December, Wellville have a handful of upcoming shows. November has them appearing at Sapphire and the Station on the 6th and 12th respectively, and they will be at Hard Rock Live on December 3. And for all you fans who like to travel, Wellville will be playing a radio festival in West Palm Beach on the same day as national chart-toppers Smash Mouth. --------------------------------------------------------------------------------Liz Kazyk's interview with FEMMUSIC.com November 1999 by: Lisa OlenLiz after leaving her Australian homeland, pursued her dream of being a singer/songwriter both in Canada and in the United States. Finally, settling in Orlando, Florida, Liz joined front man SteveBurry in the Beat-Me Ups, which locally, first exhibited Liz's entrancing vocal style and well-placed harmonies to an engaging flock of fans. She eventually formed her own band, Wellville, whose folk/pop/rock feel transcends most genre stereotypes and labels that have been placed before them.(www.wellville.nf). Their impressive debut CD, "Happier Girl" was a most requested local song on popular Florida radio stations such as XL 106.7 and SHE 100.3 and was also featured on the Fox network television drama "Party of Five." In 1998, Wellville was featured on high-profile "diva" concerts at impressive venues such as House of Blues. Although in the pre-negotiation stages of signing to a record label, Larizza and her band have still achieved a record level of their own success. All that and critical acclaim, even garnering two nominations at the 1999 Orlando Music Awards for Best Pop Rock Band and Best Album of the Year. FEMMUSIC: How would you describe your music? LARIZZA: POP ROCK! FEMMUSIC: What type of messages and feelings do you try to relay with your songwriting? What is the method to your madness when writing a song? LARIZZA: Sometimes just storytelling my life loves, hurts, frustrations in a way you can get to know me honestly. If I can't tell someone, something, face to face and it's eating at me, a song will most certainly happen. FEMMUSIC: What were the challenges to making and promoting your first CD, "Happier Girl." How well do you think the CD has done to promote the band? LARIZZA: Challenges? This would be a 10 page gripe about that! It was our first time in a real studio and nobody really knew what to do. Everything sounded great even though we look back now and see we had a long way to go. But our fans loved it and that is what matters. Promoting the CD was easy. It sold well at shows and online but when (disc jockey) Shark from She103.1 radio played it 2 weeks in a row, we sold out right away! 1000 copies! This CD actually did great things for us. FEMMUSIC: With the release of your new (3) track EP, has your music style changed from your pop/rock roots? LARIZZA: My songwriting is definitely evolving. I think you will always recognize my style, though. I'm really liking what is coming out of me now and as a band we hook it up all together effortlessly. I'm really happy about it right now. FEMMUSIC: What were the challenges and benefits of being part of a duo songwriting team when you were with the "Beat-Me-Ups." How different was the music from Wellville's? LARIZZA: Steve Burry and I never wrote a song together. But, being in the "Beat Me Ups" was the first time I was ever in a band and it was mostly for Steve. We just wanted to play his stuff. But I was fortunate to be able to contribute a few songs. It was when I wrote "Happier Girl" and that was my only real claim to fame at that time. I think really the music was similar. FEMMUSIC: What advice would you give young female musicians? What would you like to see happen for women in music? LARIZZA:No advice, Just encouragement. Have passion and respect for music if that's what you really want to do. Most of us just can't help that. I guess I did have a little advice. You can check out the band's website at www.wellville.nf There, you can access their merchandise, discography, news and photos. --------------------------------------------------------------------------------Orlando Weekly Magazine October 1999 By Sonja S. Mongar Caught somewhere between velvet and steel, Wellville's singer/songwriter, Liz Larizza, produces sugary snapshots coated with ice -- images of her life experiences, of growing up, of friends and even serial killers. Larizza credits Joni Mitchell's songwriting style as one of her major influences. "I like the way she said things, not being too poetic ... (or) cryptic," she reflects. That simple, down-to-earth approach to songwriting is the driving charm of Wellville's sound, a quality that has managed to help the band endure the comings and goings of the industry's fascination with female-generated music. Larizza -- along with Dave Kazyk (bass), Robert Columbus (drums) and Mike Maurice (guitar) -- places her sweetly dulcet vocals in ironic juxtaposition to her sometimes dark, if not downright shadowy, lyrics. Layered over poppy, feel-good beats or delicately moody alternative strains, her verbal missives leave listeners happily skipping down the street in the rain, undeterred by their ominous underpinnings. Even "Happier Girl," the title track of Wellville's latest release (also included on the soundtrack of Fox TV's "Party of Five" season finale), weaves deep tapestries of meaning: "Never a happier girl, wishing I could be someone else," Larizza confesses. "Serial Killer" -- which is oddly one of Larizza's favorites because it's "total fiction" -- speaks of a woman's fascination with someone who seems to have hidden motives. "Am I your victim? Am I your prize?" it questions. Despite's Wellville's hometown popularity, Larizza says she doesn't expect to be the next downtown mainstay signed to a major-label contract. "Orlando is not looking for me," she demurs. Not worried that "women's music" is passé, she claims the scene here is more genre- than gender-sensitive. "The industry here favors heavy rock," analyzes the veteran tunesmith and bandleader. But occasional nibbles from labels outside Orlando's environs have proved that her Wellville is still a viable proposition, giving Larizza a reason to be optimistic as she tends to the business of developing new material and recording. And never wishing she was someone else. --------------------------------------------------------------------------------AXIS Orlando Magazine June 1999 "Alls Well That Ends Well" Wellville licenses track to "Party of Five" On the local front, the season ending episode of FOX TV's hit series "Party of Five" marked a coup for local act Wellville . The band was asked by the producers of the show to license the track, "Happier Girl" to them for one of the show's final scenes. Wellville joined other locals My Friend Steve, on previous episodes of the same show and Seven Mary Three with "Dawson's Creek," in looking for increased exposure through the popular shows. In the latter two cases, though, the acts have been established major label bands. So, the licensing was a marketing coup for the unsigned act. The "Party of Five" episode used the entire song to accompany the final two scenes for the year, making a solid impression. According to the band, one of the people that they have been working closely with at Columbia Tri-Star handed the song to one of the shows producers, and they flipped over it. Not bad having a few million people hear your song as Jennifer Love Hewitt breaks up with her boyfriend. -------------------------------------------------------------------------------- Jam Florida Focus December 1998 WELLVILLE Happier Girl Rating: **** In an age when female singers fill the air waves and the all-female Lilith Fair is breaking attendance records, the music scene in the Orlando area seems to be out of place. Bands like Matchbox 20, ‘N-Sync, the Backstreet Boys and recent additions, My Friend Steve and Gumwrapper Curb, are all Central Florida bands that have made it into the big time. And it doesn’t take a rocket scientist to see what all these have in common - they all have male lead singers. Orlando, therefore, lacks the number of group fronted by women one would expect, considering the burgeoning nature of its evolving music scene. One exception to that rule, through, is Wellville. “It’s a boys club.” Joked Liz Larizza, describing the Orlando scene. Larizza is Wellville’s frontman, um, women, as well as the band’s primary songwriter. She should know about boys clubs, Larizza has been a part of the music scene in Orlando for several years. Those involved in Central Florida music might recognize her from her first group, The Beat Me Ups, which also included the now-famous Steve Burry of My Friend Steve. The band formed after Larizza and Burry met through mutual friends. “I had a blast, I loved The Beat Me up’s and it taught me a lot,” Larizza said. “(Without it) I wouldn’t be where I am now, actually.” After the Beat Me Ups had “a very friendly breakup,” Larizza returned to her folk roots, singing around town with only her guitar to share the stage with. Then, a local producer introduced her to bassist Dave Kazyk and Wellville was born. Wellville’s members hope to successfully buck the local musical trend and its first full-length release Happier Girl looks poised to do just that. On the album, Larizza’s voice stands out against a background of a streamlined musical presence. All the songs are written by her, while Kazyk lends a hand in arranging. "We’ve been there from the start,” Larizza said. “We work great together, really well together. He understands exactly what my songs are about; he has a good feel for them.” Which is especially important since the songs are honest stories plucked from Larizza’s life experiences. The first two tracks, “Home,” and “Happier girl” describe a relationship with her father. “I remember my friends moving into a cabin/ with their things and their jobs and their pets/I wish that I could go with them/ but Dad wouldn’t let me go, so I left the country,” Larizza’s laments in “Home” - a narrative that could be taken straight from the songwriter’s life. Larizza, a native Canadian, grew up in Adelaide, Australia and moved to Toronto at the age of 17 where she began playing in coffee houses and working a day job. Fate intervened and she ended up in Orlando and met Steve Burry and The Beat Me Ups, as well as a serious career in music, began. With Wellville, Larizza’s folk background is more heavily emphasized than it was with Beat Me Ups and the influence can be heard running throughout Happier Girl. The sound, however, is manipulated into a variety of different ways, producing a varying feel to each song. “When you take folk, straight folk on a guitar, and someone singing, you can turn that into anything,” Larizza explained. One notably example on the album is the slightly country sounding “It Really Doesn’t Matter.” The song playfully describes an existentialistic view of god and the universe over a slightly twangy guitar riff. Collaborations have also helped Wellville expand its sound. Recently, the band worked with Paul Doucette, drummer for Matchbox 20 who mixed “Happier Girl” and a version of “Serial Killer” that is different from the one that appears on the album. It is about a realization that a friend’s boyfriend might be a serial killer, the song is not as dark as the title might seem. “Wait ‘til you hear the version Paul Doucette did of it,” Larizza warned. “It’s very creepy, very creepy.” Not to mention Larizza’s voice which at times recall Hope Sandoval, the breathy lead singer for cult favorite Mazzy Star. But while Larizza and Sandoval share a tonal quality that is very similar, Wellville’s music is more grounded and absent is the ethereal feel of Mazzy Star. After all, the familiar folk themes of love and lost love appear in “Strangers," “ Love You” and “Heaven Help Me” themes that have often been done ad nauseum, yet Larizza and Wellville find a way to present them so that both seem unique and intensely personal. The intimate impression of her songs, therefore, are a result of her earthy songwriting method which prevents the music from becoming airy. “Pick (the guitar) up and you never know what’s going to come out, maybe a song, maybe not,” Larizza explained, “start thinking about something. I might think of a line that came into my head and start from there.” It may be uncertain what song Larizza is going to write next, but one thing seems clear - despite its lack of groups fronted by women, Orlando just may be home to one bubbling just under the surface, waiting to spring to the forefront. With her delicate voice and engaging lyrics, Liz Larizza and Wellville appear destined to do just that. --------------------------------------------------------------------------------Connections Magazine December 1998 Local CD Reviews by Carl Zurowski WELLVILLE Happier Girl Rating: F#@kin' Awesome! Folk/acoustic rock that would make artists like Jewel proud. This album stacks up to the best that this genre has to offer. Indeed, the highlight of this effort is the vocal prowess of singer/guitarist/songwriter Liz Larizza, who wrote each of the eight songs. --------------------------------------------------------------------------------FRITZ MAGAZINE - December 98 Wellville - Happier Girl (self-release) I have to admit that I am really not a huge fan of folky music, but I do have my favorites, and Wellville is certainly one of them. Hailing from Orlando, this foursome make some really deep and interesting music. "Happier Girl" contains eight tracks of solid songwriting, and superb instrumentation. The mixing is perfect, and showcases both the music and the words really well. Songs like "Happier Girl", "Home", "Stranger", and "Heaven Help Me" are a few songs that touched me really deeply. "Happier Girl" in particular has a great deal of pop sensibility and could become a major radio hit with the proper exposure. If you like your music a bit on the lighter side of rock and roll, along the lines of Dar Williams or Cowboy Junkies, Wellville is a perfect choice. I love them. Please contact Wellville at wellville7@aol.com or at www.wellville.nf. Aaron --------------------------------------------------------------------------------Orlando Weekly Review Todd Deery Published 12/23/98 CD name:Happier Girl Type of music:Folk/acoustic For a brief moment in the early ’90s two of Orlando’s best voices, Steve Burry and Liz Larizza, were in the same band, the Beat Me Ups. When they folded, Burry formed My Friend Steve while Larizza moved on to Wellville. Playing local coffeehouses and worshipping Joni Mitchell, Larizza developed a folk sound that forms the basis of the eight songs on "Happier Girl." The band does a nice job fleshing out the songs, which on first listen sound like cheerful pop. And Larizza’s catchy melodies and exquisite voice carry the album. But in songs like "Home" and the title track there’s an undercurrent of regret and longing that gives these songs resonance. The slightly overdone "Serial Killer" focuses on physical rather than emotional danger, and the gorgeously spare "Heaven Help Me" relays psychological frailty. Deceptively complex and beautifully melodic, "Happier Girl" should carry Wellville on to bigger and better things very quickly. --------------------------------------------------------------------------------MTV Online Review, December 22, 1998 WELLVILLE, Orlando Weekly Music nominee for Best Pop/Rock Band of 1998, combines the talent of Liz Larizza (lead guitar and backup vocals), David Kazyk (bass), Robert Columbus (drums), and Mike Maurice (lead guitar and backup vocals). WELLVILLE'S website, located at www.wellville.nf, is not only easily navigable and well organized, it is very informative for the novice or the WELLVILLE fan. The site is divided into features such as What's New, The Band, Reviews, Dates, Photos, Sounds, and Merchandise. Just as the site is updated weekly to keep you informed, WELLVILLE'S What's New section keeps you on the cutting edge of what WELLVILLE is doing. The Band presents the band's history, which includes the former band BEAT ME UPS, involving Liz Larizza as well as Steve Bury of MY FRIEND STEVE. The Reviews, by the likes of Buzz, Ink Nineteen, MTV Online, O.D., Orlando Weekly, and the Slant praise and even interview WELLVILLE. WELLVILLE's catchy sound and Liz Larizza's amazing vocals can be heard in the eight song CD Happier Girl, released in November 1998. Four generous full-length tracks are available online in the Sounds area for your listening pleasure: "Happier Girl," "It Really Doesn't Matter," "Love You," and "Serial Killer." You can securely order WELLVILLE's great CD from the Merchandise page. WELLVILLE'S track "Happier Girl" is also included on Axis Compilation The First Rotation and the 1998 Orlando Music Awards compilation. WELLVILLE will also be included on the Extravaganza Compilation and will be performing at Nashville's Extravaganza on the weekend of February 22, 1999. Check out Dates for future shows at venues including Sapphire Supper Club, Will's Pub, and House of Blues. Don't miss a WELLVILLE show! Jennifer McNabb MTV College Stringer feedlocal@mtvmail.com -------------------------------------------------------------------------------- Liner notes from the Orlando Music Awards compilation CD Fall 1998 Happier Girl Written by Liz Larizza, produced by Wellville(1998): from the recording "Wellville". Simple, sutle pop songs and the sultry vocals of Liz Larizza made Wellville one of the most popular bands on the local circuit this year. Larizza, bassist David Kazyk and guitarist Buddy Parker recently added drummer Chris Valentino, but former skinsman Matt Brown plays on this song about a not-so-close relationship between a father and a daughter and resilience in times of despair. --------------------------------------------------------------------------------Axis Magazine October 1998 Wellville songwriter/vocalist Liz Larizza first gained attention as a member of the Beat Me Ups in the early '90s. Over the course of the decade the seminal Orlando band helped spawn Atlantic's Seven Mary Three and Mammoth's My Friend Steve. More recently, scene peer Paul Doucette, drummer for the multi-platinum Matchbox 20, has come into the fold utilizing his resources to produce two tracks for the bands upcoming debut. Matt Serletic(Collective Soul, Matchbox 20) also lent a hand on the mixdown. The CD will be released this fall, and shopped to labels soon thereafter. With a driving band behind Larizza this is an act that can hold its own on the Horde Tour or the Lilth Fair. --------------------------------------------------------------------------------Orlando Weekly, October 1998 Roll Call: Dave Kazyk, bass; Liz Larizza, guitar and vocals: Buddy Parker, guitar. On Record: "Wellville"(1998) The story: Australia native Liz Larizza's warm pop-friendly vocals fit right in amid the current climate of confessional songwriters who populate the air-waves and music charts. Larizza developed a burning passion to express herself through song once she heard Joni Mitchell's "Court and Spark" as an adolescent. Her road to Wellville led her to Toronto and eventually Orlando, where she hooked up with another songwriter struggling to carve an identity for himself named Steve Burry. The two melded their voices in harmony as the Beat Me Ups and burned brightly for a short time before going their separate ways. Burry eventually formed My friend Steve, and Larizza decided to front her own band. She formed a partnership with bassist Dave Kazyk, and enlisted guitarist Buddy Parker to form Wellville. The band has giggled incessantly ever since, recently adding Chris Valentino to the fold. Not long ago Wellville spent time in the studio with Matchbox 20 drummer Paul Doucette at the controls and should have a full-length recording out by the end of this year that includes two songs that Doucette produced. The title song "Happier Girl" is included on the "1998 Orlando Music Awards" CD and has already been singled out as a favorite cut by listeners who have previewed it, and Wellville may release Doucette's production of "Serial Killer" as a single. As the band looks for management and a major-label deal, Larizza may find herself in the same position as Burry, who joined her when she joined her when she opened for My Friend Steve at a recent Sapphire show, "I played a half-hour set and then Steve joined me on stage. It was pretty cool, kind of like old times." Matt Keleman--------------------------------------------------------------------------------The Slant Carol Benanti January 1998 What a way to end the year. As I walked into the new House of Blues on a chilly Tuesday evening, Wellville was just taking the stage. Before I could ask, "Who's the new guy?", Liz's lush voice draped over the room like a velvet blanket. The sound seemed to resonate from every crevice of the all-wooden room. I felt like I was inside a giant acoustic guitar. Surrounded by the works of Howard Finster and R.A. Miller, Wellville - who shared the bill with Gumwrapper Curb and Big Sky - took control. Mesmerized teens bellied up to the stage while the rest of us spread out to dance. Listening to Liz's powerful vocals and feeling Dave's bass in my chest and along the back wall, I recalled a vision of Liz, five years ago, singing in a tiny but beautiful voice in my living room. Finally she was where she belonged. With a sound as big as a Buick with Joni Mitchell at the wheel, Wellville's set delivered one diverse hit after the other - my favorites ranged from "Serial Killer" to "This Town" and of course the rich finale, "Home," which I keep in a special place in my heart. Liz claims to have written this jewel after talking to me on the phone a couple of years ago about my family. Hearing Liz sing this song now at The House of Blues with a great band behind her, made me know, surely and clearly, that I was witnessing perfection. The rest of the crowd seemed to agree. Winter Park "Mayor" Bruce Marshall came over to tell me that Wellville is "fresher than Springtime and better than Blondie." I guess introductions are in order at this time - Wellville is the gorgeous Liz Larizza, lead singer-guitarist and principal songwriter, bassist David Kazyk, guitarist Litton Parker, and the amazing Matthew Brown wreaking havoc on the drums. I often tease Matt that he should be playing drums for The Makers. Wellville has been together only one year, yet they seem like family. "The new guy", by the way, is lead guitarist Scott Mabry of The Denizens, Liz's favorite local band "besides The Hate Bombs". He'll sit in from time to time and make Wellville's sound even richer. Matt says Wellville's glad that Scott's "got a long leash." The band will be recording their cd in February and hope to have it out by April. Happy New Year, Wellville - it's your world. --------------------------------------------------------------------------------INK 19 Magazine December 1997 WELLVILLE and MY FRIEND STEVE, Sapphire Supper Club, 9/18/97 When the BEAT ME UPS split up about a year or so ago, two new bands resulted. Steve Burry created MY FRIEND STEVE and Liz Larizza started WELLVILLE. They harbored no ill feelings from the break-up; in fact, they remain good friends. This was the first time their two bands have performed together and they packed the Sapphire. Wellville opened the show with an amazing rendition of the Mazzy Star gem "Blue Flower." In fact, this was a great choice, since Wellville in many ways sounds like Massy Star after the thorazine wears off. Anyway, the band performed a lengthy set, weaving old and new material into the fabric of dreamy, intelligent songs. My particular favorite (Liz's too) was "Serial Killer." It seems our lovely and delicate songstress is preoccupied with this particular type of psychopath. Go figure. Liz has assembled a terrific band. Litton Parker is quite the guitar virtuoso, not afraid to take chances. Dave Kazyk lays down a solid bass line usually expected of a more seasoned performer. Matt Brown, recently of HERONYMUS, provides an intelligent drum rhythm that nicely supports and directs the music but does not overpower it. Liz herself frequently plays guitar to accompany her mystical vocals. MY FRIEND STEVE provided a rousing set as well; they never fail to please the Sapphire crowd. Now that the band has landed a permanent drummer, the future is wide open. --------------------------------------------------------------------------------Axis Magazine Out of all the southern pop acts coming from Central Florida, this is the only outfit to carry a female voice as the front person. A groove similar to My Friend Steve, but with a twist. The song writing is catchy and includes some definate hooks that will pack the room, so arrive early and check out one of the better up and coming acts with the Denizens. Axis Magazine Good, catchy song writing. Liz can be counted on to pull of a hooky riff with some heartfelt vocals. Definitely a band to watch for down the road. If you haven't seen them yet, then you're missing out on some of the core sounds of what Matchbox, Steve Burry and 7M3 are doing. Liz is one of the original singer/songwriters that developed this thing we so aptly labelled Southern Pop.

Additional Info Song

Location Orlando, FL - USA

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