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Artist description
Jim Morrison, David Bowie, Bob Dylan, Beck, Kula Shaker, The Beatles,
David Byrne, The Moody Blues, Nick Cave, Beastie Boys. No. I'm not
making a laundry list of my favorite artists. I'm listing the myriad
of musical influences that prominently inform the work of Andrew
McCutcheon. Since his teens, McCutcheon has recorded original music
steeped in existential poetry and eclectic psychedelic shadings. His
debut, Out of the Lion's Mouth, captures the mystical essence of Jim
Morrison's darkest epic poems and melds them with funk-rhythm tracks
to make them almost danceable. His follow-up, Welcome to Periphery,
takes this... further and ventures off into a Bowiesque/MoodyBluesy
aural tapestry. "Never Break A Psycho's Heart" is funny and perceptive
in its twisted frankness , but it's his meandering poetry and unabashed
willingness to be off-kilter, kitschy and keen (on insight) that makes
his literary music such a pleasure. Different, but familiar. An interesting
combination. --Roxanne of Extreme Magazine
Andrew McCutcheon has recently relocated to Los Angeles, CA and is currently forming a new band to support his new CD on San Francisco's NMX Records, available at: www.nmxrecords.com. You can contact him at 8721 Santa Monica Blvd. Suite 338, West Hollywood, CA 90069, Tel: (310)470-6449. plummeat@aol.com.
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Music Style
Psychedelic Alternative Rock |
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Musical Influences
The Doors, Thelonius Monk, Captain Beefheart, Stravinstki, William Blake, Hank Williams, Sr. |
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Similar Artists
The Doors, Bowie, Beck, Nick Cave, David Byrne, Lou Reed, Dylan have all been mentioned in reviews. |
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Artist History
So what do you get when you take a lost denizen of the psychedelic
sound, steep him in the bowels of symbolist poetry, pepper him with
gris gris dust and serve him up lightly garnished with Rap, New Wave
and Glitter Rock? Well, it's not just any word-wise retro-grovin'',
feedback-driven, organ-glad slab-O-the darker aural delicacies: it's
the sound of Andy McCutcheon.
Since the 1998 release of his debut CD, Out of the Lion's Mouth,
on Plum Meat Music, Andy McCutcheon has quickly grabbed the attention
of critics, who have compared him to artists as diverse as Beck, David
Bowie, the Doors and David Byrne. He has penetrated the national college
radio market, gaining adds on over one hundred top ranking stations,
including KLA, Los Angeles, CA; KZSC, Santa Cruz, CA; WRVU, Nashville,
TN; WMSE, Milwaukee, WI; and WCDB, Albany, NY. And he has begun to
reach an international market through internet radio and retail, becoming
a top 10 selling artist in two genres on mp3.com, where he held a
#1 chart position for 8 weeks in the Summer of 1999, and three times
since!
In the Fall of 1999 McCutcheon attended the CMJ conference and
showcase in New York where he gained the attention of San Francisco's
NMX Records, who would release his first full length project, Welcome
to Periphery, the following year. Extreme Magazine called McCutcheon's
second effort "a Bowiesque/MoodyBluesy aural tapestry... off-kilter,
kitchy and keen (on insight)," comparing him once again to the likes
of Morrison, Dylan, Lou Reed and Nick Cave.
2000 also saw McCutcheon appear on several regional and national
compilations, including Joe's Grille.com's college radio sampler,
Joe's Blue Plate Special, along with Guided by Voices and Pavement.
By the year's end, McCutcheon had contributed several tracks, including
the theme, to independent film maker Sterling Brown's Blue Angel,
slated for release in 2002. He also began playing out regularly
in support of his new NMX release, and showcased at the Pennsylvania
Millennium Music Conference, where he gained the attention of Megadeth's
David Ellefson. Encouraged by Ellefson's enthusiasm and his invitation
to submit material to Megadeth's new label and management company,
Sanctuary Music, McCutcheon decided to relocate to Los Angeles seeking
greater opportunities. By the Summer of 2001, McCutcheon had left
his position as a college English instructor, and after selling their
home, and more than half of their possessions, McCutcheon, his wife
and their daughter found themselves settling into a small canyon home
in the hills of West LA. McCutcheon has since resumed recording and
is currently playing out in Los Angeles area clubs as a solo artist
while assembling his new band.
But puting together a band is nothing new to McCutcheon. Since
his early teens he has been playing clubs such as D.C.'s legendary
Nightclub 9:30 and Baltimore's 8X10, honing the peculiar wit and eclecticism
now embodied by his two national releases.
By the late eighties, McCutcheon had distinguished himself as
front man for The Skeptics, an emerging CD/Baltimore-based band noted
for the "controlled musical mayhem and abrasive garage sound" of their
live shows, as well as for the "clear melody and vocal power" of their
original songs (MD Musician and Bomp/Voxx Records). McCutcheon contributed
heavily to the material featured on their Bona Fide/Resonance Records
release, Snallygastor, as well as on several national compilations,
including Bomp/Voxx's Beasts from the East.
By the early 90's, however, McCutcheon's interests turned to poetry,
and The Skeptics disbanded when he moved to New Orleans where he would
eventually earn his master's in English, teach and concentrate on
publishing his poetry. "For whatever reason, I took for granted the
immediacy that music holds for me and felt I owed the literary world
my eschewed, left-handed, dyslexic perspective," McCutcheon muses.
Still interested in poetry, McCutcheon uses his new music as a
platform for his love of language, inflating the cadences of rock,
rap and spoken word with the non-linear language of surrealism to
create a voice that, if not always immediately comprehensible, is
at least provocative and always entertaining. And this voice, an
unlikely blend of mysticism and kitsch unified by the funky rhythm
tracks, groovy organ licks and verbal gymnastics composing these danceable,
psychedelic incantations, is bringing Andy McCutcheon out of the
Periphery and into the flux. |
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Group Members
Andy McCutcheon,Carmen Chancellor, resident cover artist and wife. |
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Instruments
Vocals, Guitars, Organ, Piano, Bass, Drums. |
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Albums
Out of the Lion's Mouth, Plum Meat Music; Welcome to Periphery, NMX Records. |
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Press Reviews
In the music world, we encounter those rare individuals who see
things differently and whose music makes you turn your head and take
notice. Andrew McCutcheon is such a visionary. We get the sense listening
to [Welcome to Periphery] that he tosses out the rule book when
it comes to music... But then, isn't that how rock's most legendary
innovators became that way? Welcome to Periphery is an adventurous,
fun listen, as McCutcheon demonstrates off-the-wall quirkiness and
eccentricity that makes him stand apart from the rest of the pack.
--D'Scribe of Final Cut
Jim Morrison, David Bowie, Bob Dylan, Beck, Kula Shaker, The Beatles,
David Byrne, The Moody Blues, Nick Cave, Beastie Boys. No. I'm not
making a laundry list of my favorite artists. I'm listing the myriad
of musical influences that prominently inform the work of Andrew
McCutcheon. Since his teens, McCutcheon has recorded original music
steeped in existential poetry and eclectic psychedelic shadings. His
debut, Out of the Lion's Mouth, captures the mystical essence of Jim
Morrison's darkest epic poems and melds them with funk-rhythm tracks
to make them almost danceable. His follow-up, Welcome to Periphery,
takes this... further and ventures off into a Bowiesque/MoodyBluesy
aural tapestry. "Never Break A Psycho's Heart" is funny and perceptive
in its twisted frankness , but it's his meandering poetry and unabashed
willingness to be off-kilter, kitschy and keen (on insight) that makes
his literary music such a pleasure. Different, but familiar. An interesting
combination. --Roxanne of
Extreme Magazine
Sort of a Steve Kilbey merged with Jim Morrison... Out of the Lion's
Mouth is the perfect party CD for those that want to hear some hypnotic
music that you could either dance to or simply sit and enjoy. It's
atmospheric enough to really get your mind in fast motion but diverse
enough that you want to hear it again as soon as it's over. --Sandy
Mason of FrightX.
Apparently a desciple of The Doors, Michael Oldfield and Beck, AndrewMcCutcheon combines various influences as a true Renaissance man. McCutcheon takes some chances and sounds like a potpourri of '60sand '70s icons. ...as a yardstick of McCutcheon's capability, it'sindicative of a talented composer finding his voice. --KimCrawford of RockPile ...Part '60s, part '70s, all '90s, the rhythm section here is very modern,while the song structure is rooted heavily in the past. McCutcheonpulls off a Morrison style without actually trying to sound like him. This makes the performance quite genuine and interesting. --Music Street Journal ...This is the perfect party CD for those that want to hear some hypnoticmusic that you could either dance to or simply sit and enjoy. It'satmospheric enough to really get your mind in fast motion but diverseenough that you want to hear it again as soon as it's over. --SandyMason of FrightX |
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Additional Info
Request Welcome to Periphery on you local college station this Fall! |
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Location
Los Angeles, CA - USA |
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