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"At Your Feet" genre: Pop Vocals
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	"At Your Feet" deals playfully with the tendency of some of us to put ourselves intentionally into submissive relationships; it could be simple insecurity believing that we deserve no better, perhaps we fear the intimacy of a secure relationship in which we must obtain mutual respect, perhaps we revel in the lack of responsibility, perhaps... . The production is pure fun including a cheezy Mexican brass band effect and an honest to goodness laugh track which actually lasts through the whole song. Contagious.
	CD: The Girl Who Knew Too Much   Label: POC International Ltd. Credits: Randell Kirsch plays most everything on this track and produced it (with LuAnn) as well. Jaynee Thorne has the beautiful harmony voice and the never-ending laugh, Dan McNamara is on drums, and Brianica is the hungry baby who is genuinely complaining before the 2nd verse.
"Better Than Good" genre: Pop Vocals
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	I was basically saying to my husband, "Yeah, I know I'm hard to live with, but you're the one who asked me to marry you so now you've got to stick it out because what we've got is worth it." "The course of true love never did run smooth..." (William Shakespeare)and all that. And would we really want it to? - is the question that is finally posed.
	CD: The Girl Who Knew Too Much   Label: POC International Ltd. Credits: LuAnn sings, plays a Hagstrom hollow body electric guitar (red), and Randell Kirsch does everything else.
"Dreams of Loveliness" genre: Pop Vocals
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	Inspired by a character from Edith Wharton's The House of Mirth, this is a story about the grass being always greener on the other side. She is unable to value her own precious gifts of warmth and kindness because she feels them completely overshadowed by her friends more classic gifts of beauty, (which, by the way, never bring Lily Bart anything but insincere relationships, false adoration, and miserable lonliness).
	CD: The Girl Who Knew Too Much   Label: POC International Ltd. Credits: LuAnn on vocals and guitar, Candy Lerman on viola and violin (sooo pretty), and Randell Kirsch on bowed Hofner bass and string arrangement.

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