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"X 92 11" genre: General Jazz
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	Or an acoustic timetable, that helps the listener to make his way through the maze of oscillations ,whereby first: this maze produces itself personally and second: its visitor will understand the whole story only if he knows, what wants there? A circumstance by the way, which is in times of receycled second -hand - aims of particular meaning.
	CD: X-CODE-X: Solln Nach Zwölfe Laufen   Label: X-CODE-X: Solln Nach Zwölfe Laufen Credits: Ele Grimm - violin, trombone, Martin Verborg - violin, saxofon, Jens Carstensen - saxofon, electronics, Ulrich Phillipp - contrabass, horn, Wolfgang Schliemann - drums, percussion
"X 92 12" genre: Chamber Music
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	The artificially produced sound is the audibly made power of a natural sound. Inthis interaction , whose diversity is endless, the mystery of music becomes evident. This mystery exists in fact.
	CD: X-CODE-X: Solln Nach Zwölfe Laufen   Label: Q-tip-Musik Credits: Ele Grimm - violin, trombone, Martin Verborg - violin, saxophone, Jens Carstensen - saxophone, electronics, Ulrich Phillipp - contrabass, horn, Wolfgang Schliemann - drums, percussion
"X 92 06" genre: Contemporary
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	Everything is audible, because all matter radiate oscillations. One can say, the things heareach other. That mankind thereby makes an exception is a different question, that depends on the human fixation.In the morphogenetic context the human being is - exceptions are little - of subnormal nature.
	CD: X-CODE-X: Solln Nach Zwölfe Laufen   Label: Q-tip-Musik Credits: Ele Grimm - violin, trombone, Martin Verborg - violin, sax, Jens Carstensen - sax, electronics, Ulrich Phillipp - contrabass, horn, Wolfgang Schliemann - drums, percussion

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