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These soundscapes are mindful, yet not confined to the rational.
We are trying to create music, which leaves no trace of its creator,
we are burned completely. There is an inevitability of self in any
created piece, but the eradication of the conscious self allows for
the appearance of the pure self. The pure self draws from the
collective unconscious which creates a bridge between the artist
and the listener and allows access to the joy of creation.
We are trying to create music, which is careful, yet not clever
(it has been said that the most clever make the worst calligraphers).
The process of creation relies heavily on an improvisational element.
Working from this foundation we fine-tune and craft these works.
Instead of approaching a piece to create a structure, we live with
the piece in order to develop the character which exists within it.
We are trying to make music that does not ever fall back on any
theme, yet falls forever without the possibility of support
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| Wu wei is a Taoist principle of non-action.
This is a modal loop and improv. |
CD: Generator Operator Destroyer
Label: zikmusic
Credits: copyright time is meaningless 2000 |
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| The word Anahata is from Sanskrit and it translates as "not hit" actual meaning is the sound that is created other than when two objects strike each other. It seems to refer to the sound behind the sound.
A single live track of drone bass via vocoder. |
CD: Generator Operator Destroyer
Label: zikmusic
Credits: copyright time is meaningless 2000 |
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| Produced using an 8-track port-a-studio with various analog & digital devices, and samples. |
CD: Maker
Label: zikmusic
Credits: copyright time is meaningless 1997 |
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