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| A traditional form for a non-conventional mix of instruments, pipe organ, string quartet and drums. |
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Credits: Trier quartet |
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| Solo piano, minimalist textures |
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Credits: Gerardo Perez-Giusti, Piano. |
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| For five Mallet Instruments, Celesta, Bari Sax, Bass Clarinet, Flute, Horn and Double Bass. |
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Credits: Severus Ensemble |
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| Full orchestral work, live recording |
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| Sixty seconds of intense music for electric guitar, marimba and sax |
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| Work for String Orchestra, Harp and percussion. This is a slow dreamy piece, a recollection of memories. |
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| The driving sound of latin percussion provides a frantic groove for two trumpets improvising under the shadow of Miles Davis. |
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Credits: Ed Castro, trumpets |
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| This is a live recroding of a clarinet and piano duo. The piece was composed for Clarinetist Ramon Wodkowski who performed it at William Harkness Hall in New Haven, April 8 2002. |
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Credits: Ramon Wodkowski, Clarinet |
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| This is a cue from a short student film recorded with a small orchestra. |
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| Work for amplified Trumpet, Saxophones and Electronics |
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Credits: Ed Castro: Trumpet, Franz Ludes: Saxophones |
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| The sounds of Speech and Politics floated in the air, oversaturating our senses, a battle for freedom or power? |
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| This is a work for Flute, Bassoon and Piano in two movements |
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Credits: Sergio Pallottelli: Flute, Julie Balch: Bassoon |
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| Suite for Flute, Bassoon and Piano, second movement. |
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| For 8 piece ensemble. Live performance of movements II and III, this works is based on the short novel by Sthephen King of the same title. |
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| Small ensemble and electric guitar |
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| Saxophone quartet |
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Credits: Franz Ludes, saxophones. |
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| This is a live performance of my first full orchestral piece. The music seeks to reflect life in a modern city. |
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| this is one of my earliest pieces. Scored for Flute, Horn, trumpet, 2 Violins, Cello and Piano |
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| This work explores phasing and sonic saturation. Inspired by the screams of a mechanical soul that once was human. |
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| Techno-Trance, dance music. |
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