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Klangstabil: Menschenhass Clear 10" Vinyl - with an inside-out groove cut. Artwar by Klangstabil + Salt. Limited to 353 individually numbered copies. First 27 copies also come wrapped in a bloody WWIV "Victim" shirt with one or more bullet holes. Disclaimer: the shirts are cover in real, non-pasteurized blood, we are not responsible for the pathogens that may or may not reside in it. (special package sold out!!) |
CD: Menschenhass 10" Vinyl
Label: World War IV . NYC . USA
Credits: World War IV aka Noizguild |
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"krieg" is a live-event-mixture of the 7" record "fuenf minuten klangstabil" (side a and side b). "fuenf minuten klangstabil 1" is in itself 5 minutes of klangstabil. It's part of a concept which is outlined here. As every human (animal, organism) has some special quality, i.e. look, character, smell, klangstabil tried to find their very own sound. procedure: at first, both tried seperate, their own tones, exploring their own sounds. thereby some interesting facets of each were discovered. to create the klangstabil sound, both sounds were combined. whenever klangstabil comes together, it is the sound, as an initmate act in it's widest range, which is revealed here. the sound itself: the sound remains exactly constant for exact 5 minutes. the sound has no attack- or decay phase, it remains constant, as well as the overall loudness and the volume of all the tones in the mix. audible are parts of tones (atonal), mixes of sound and timbre, which could only be created with the help of electronic music instruments. energy: the sound in itself is steady, yet needs energy to remain constant. adding or removing energy from it would result in a change followed by a collapse. to explain the energy-theory more vivid, a turntable with pitch adjustment could be used. the persistence of the sound (exactly 5 minutes), describes the monochronism, which klangstabil practices sickly concerning organizational matters. effect: "fuenf minuten klangstabil 1" sounds like the very early synthesizer ages, and thats how it should be. as always, klangstabil deals with the origins. examining the sound from it's technical view, it would be interesting, which frequency the sound has, of how many different pitches it consists, if the sound is unison, is it mathematically harmonic. as well as the subjective approach, how you feel the sound, what it causes in yourself and if it complies your own understanding of harmony. klangstabil: "when we played played the sound we noticed, that certain frequencies in our voice were wiped out while talking at each other. even here, the klangstabil idea of "fuenf minuten klangstabil 1" is reflected. the sound is like a perfume, it's a sound-perfume so to speak, just when you walk around in the room and concentrate on the sound, the whole spectrum of the sound gets clear. the sound can be used anywhere, it could be mixed with other music (i.e. "fuenf minuten klangstabil 2"), also used as raw material to create new things. fuenf minuten klangstabil 2: the other side also has the basic klangstabil idea. the title starts and ends shortly afterwards, but it goes through an "evolutionary destruction", which is necessary for it's survival. a circle which is closed now, because it's stable (stabil)- klangstabil. |
CD: 7" Vinyl: Fuenf Minuten Klangstabil
Label: MHz
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Klangstabil ist keine Rechtsradikale Band. Klangstabil vertritt keine Rechtsextremen Ideologien oder sonst irgendwelche politischen Interessen. Krieg ist das Ergebnis von Anti-Kommunikation. KLANGSTABIL wird ein hoerbares Denkmal schaffen um zu zeigen was passiert wenn wir aufhoeren zu Kommunizieren. |
Label: MHz
Credits: Thanks to Goran Besov and Torben Wendt-Nordal (Diorama) |
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