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    Virtual Concerts creates great music with a computer. Not by using samples, mind you. Our artists and technicians begin the work with a MIDI-sequence file that embodies the basic "realization" of a piece of great music. Next, the sound of an instrument is shaped with the right resonance, in different registers, to give the frequency response of a physical instrument. Finally, the technique of convolution filtering makes it possible to place the virtual performance in the actual acoustic environment of a famed performance hall or a great cathedral. The result is "more real than live". In working with organ works, we build the sound the same way organ-builders and players do: ranks of virtual organ pipes in different registers, using varied instrument sounds or "stops", are layered to create a rich organ sound that is bang-on realistic. Harpsichord sounds are crafted to match the timbre of a classic instrument, suited to the virtual hall in which it is heard. It is even possible to recreate the sound of an 18th Century German harpsichord with the "choirs" of strings that double a melodic line an octave up and an octave down-- the sound of Bach's own harpsichord. Then we have what will become our "Virtual Satie" CD. Yes, you've heard Erik Satie's Gymnopedie #1 before-- but consider it as scored for vibes and acoustic bass... Taste and see...and welcome to Virtual Concerts. CD's will be forthcoming soon Drop us a line with comments, to our Chief Engineer and Lead Artist: MichaelChandler2012@yahoo.com
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    "Bach, English Suite #2"genre: Baroque
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    The organ is also a "keyboard instrument". If you know this composition as a harpsichord work, well, here it is as arranged for cathedral organ.
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    "Goldberg Variation 16"genre: Baroque
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    This is the center point in Bach's Goldberg Variations, the so-called "French Overture". The acoustic environment of Dallas' famed Meyerson Hall was used to record the entireety of "The Goldbergs", of which this is a sample
     
    "Bach Ouverture in F Major"genre: Baroque
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    The first movement of this French Ouverture is presented as it sounds on Virtual Concerts' "Bach Harpsichord. Like the one Bach owned, this virtual instrument has a 4-foot choir of strings to double the melodic line an octave up and a 16-foot choir doubling an octave down. Using both, as here, yields "Harpsichord Thunder".
     
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