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| Work for solo guitar. Written for Carlos Ufret as part of the Indiana University 2001 Hammer/Nail Project. |
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| Chamber work for Pierrot+percussion ensemble. |
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| Short Satie like work. Score available though TheNewStyle.org |
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Credits: Robert Hatten - piano |
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| Slow tango similar in style to the slow rags of William Bolcum. Score available through TheNewStyle.org |
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Credits: Robert Hatten - piano |
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| Fast ragtime |
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Credits: Robert Hatten - Piano |
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| This is an excerpt from a live orchestral performance by the Indianapolis Symphony Orchestra. This work was performed as part of the Marilyn Glick Young Composer's Showcase in the year 2000. Work was composed in 1998. |
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Credits: Indianapolis Symphony Orchestra, Raymond Leppard - conductor |
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| An electro-acoustic composition of mine utilizing self-made samples created from a variety of rusted metal objects. The end result...well, just take a listen to it |
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Credits: Mastered at the Center for Electronic and Computer Music, Indiana University |
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| Age of Irony is a chamber work commisioned by the Indiana University New Music Ensemble. This five movement work illustrates both media and social reaction towards the attacks on September 11th. This prelude stands outside of that spectrum as a simple hymn of mourning. |
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| This second movement of Age of Irony deals with the depiction of violence in the media. |
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| This third movement of Age of Irony pits media sensationalism against actual, uncensored imagery. This is musically represented through the unnatural juxtaposition of atonal music against a pure diatonic section. |
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| This fourth movement of Age of Irony deals with runaway nationalism after the events of September 11th, as well as an increase in cynicism amongst those not caught up in the frey. |
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| This final movement to Age of Irony is meant to represent the nation's rebuilding efforts post-attack. A final hint of the Prelude is left at the end of the movement as a reminder that, for all that has changed, very little has as well. |
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| First movement. |
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| Second movement. |
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| Movement three. |
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| Fourth movement. |
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| Electroacoustic work using saxophone sounds. |
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Credits: Mastered at the Center for Electronic and Computer Music, Indiana University |
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| Saxophone Sonata for E-flat Alto, mvt. 1 |
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| Saxophone Sonata for E-flat Alto, mvt. 2 |
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| Saxophone Sonata for E-flat Alto, mvt. 3 |
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| String Quartet No.1, mvt. 1 |
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| String Quartet No. 1, mvt. 2 |
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| String Quartet No.1, mvt. 3 |
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| Sting Quartet No. 1, mvt. 4 |
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