|
![](/images/mp3s/images/spacer.gif) |
You are listening to me, Sacrifice. I am (if you haven't found out) an artcore artist. I mainly write the insanly fast synth line stuff but now I believe I am heading in a tad bit different direction with my stuff. I will still be writing Artcore (Gabber) but its not gonna be the Hardcore stuff like Gabber God anymore. Its more Trancecore style if you would like to call it that. I've just finished a remix for Gabber God on the song Fuck Cops 3. Yes i remixed it before he himself even finished the song. (if thats possible). Anyways expect a little change but not a big one. I also might be changing my name. I was thinking something along the lines of: Tryption, Trypnotic, Hypnotia, or ShadowMancer.
Read my
Dreambook guestbook!
Sign
my Dreambook!
|
|
|
![](/images/mp3s/113/resources/145/318/files/14531870.jpg) |
|
|
|
This is my first attempt at a Trancecore track and i think it turned out very good, cool sample of Edward Norton Saying "This is your life and its ending one minute at a time". I hope to release more tracks similar to this. This song has already made it to 6th place in the gabber charts... :-) |
CD: Enders-(Sacrifice Demo)
Credits: Sacrifice |
|
![](/images/mp3s/images/ui/sq/333333.gif) |
|
![](/images/mp3s/images/spacer.gif) |
|
|
|
This is a mix of Doomcore,Breakcore, and Noizecore. Its flows real nice, and its got a sample of Edward Norton and Brad Pitt talking about how to make Naplam. | MP3.com CD: Sampler - buy it!
Credits: Sacrifice |
|
![](/images/mp3s/images/ui/sq/333333.gif) |
|
![](/images/mp3s/images/spacer.gif) |
|
|
|
This is one of my first Doomcore tracks, I think it turned out very well. Nice Dark atmosphere. Creepy synth. Doesn't really kick in for about a minute. | MP3.com CD: Sampler - buy it!
Credits: Sacrifice |
|
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|