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| A groove-oriented collaboration with Tunisian Rai singer MC Rai. |
CD: Journal of an Ectomorph
Label: Dodecahedron Music
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| This short piece for piano and full orchestra was composed in the Spring of 1995. The harmonic and melodic resources are all based on symmetrical constructs. The recording is a virtual orchestra, comprised of samplers and synthesizers. |
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| A composition in 6/8 constructed by developing a very basic thematic idea, performed by the Jason Martineau Trio.@ |
Label: Dodecahedron Music
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| Semi-similar sequences...a Jazz composition for piano and bass.Ä |
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Credits: Acoustic Bass tastefully played by Dave Sayen |
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| An original spontaneous composition for piano solo, the sixth of eight parts. |
CD: Concert in Eight Parts
Label: Dodecahedron Music
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| A Jazz waltz, composed in the Spring of 2001... the joy of life. Piano, guitar, and bass. |
Label: Dodecahedron Music
Credits: Piano - Jason Martineau, Guitar - René Gely, Bass - Dave Sayen |
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| This piece was composed for the 2002 Tall Ships Challenge that took place in San Francisco, California. It was performed numerous times by the San Francisco Boys Chorus. |
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Credits: SF Boys Chorus, recorded live at Grace Cathedral, May 2002. |
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| An original song composed in 1992. Recorded in 2000 by the (now defunct) Bindi Brothers, in which I was a singer and keyboardist. |
CD: Bindi Brothers
Credits: Vocals and keyboards: Jason Martineau; bass, guitar and percussion: The Bindi Brothers |
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| A complex conversation between spirit and Self, seeking enlightenment together. Piano solo. |
CD: Many Paths
Label: Dodecahedron Music.
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| A Jazz ballad, though like most of my music it contains influences from multiple styles. Piano solo. |
CD: Many Paths
Label: Dodecahedron music
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| An original Jazz choral work, composed in 1997, for 8 singers. The piece was conceived in the spirit of Manhattan Transfer. |
CD: 52 Pick-up
Label: Dodecahedron Music
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| Ecstatic electronic keyboard ululations. |
CD: Mysterieux
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| This is the Introitus and Kyrie from a work in progress, begun in 1994. |
CD: Works
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| This orchestral work was my doctoral thesis, which explores the progression of Western harmony as a parallel of the overtone series. In so doing, the piece unfolds in a similar fashion, commencing with the big bang, then the fundamental monophonic voice, then the octave, fifth, and so on. This is not unlike a journey through time, proportionally visiting chordal resources from various musical eras, eventually leading up to the present. |
CD: Works
Label: Dodecahedron Music
Credits: Premiered in May, 1998 by the San Francisco Conservatory Orchestra conducted by Jung-Ho Pak. |
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| This piece was composed for the documentary "The Odyssey of Captain Healy", shown on PBS. It accompanies archival footage of harsh Arctic conditions, and hunters recklessly killing the various animals of the region. |
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| This piece was composed for the documentary "The Odyssey of Captain Healy", shown on PBS. It accompanies archival footage of harsh Arctic conditions, and the effects of overharvesting on the indigenous people of the region. |
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| An energetic excursion for solo piano, in the spirit of Brahms. |
CD: Many Paths
Label: Dodecahedron Music
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| A work composed in 1993, blending Classical and Jazz elements. |
CD: Works
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| A work composed in 1993, blending Classical and Jazz elements. |
CD: Works
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| A work composed in 1993, blending Classical and Jazz elements. |
CD: Works
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| A work composed in 1993, blending Classical and Jazz elements. |
CD: Works
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| An improvised work for piano solo symbolizing the final achievement of the alchemical journey. The harmonic vocabulary is more from the Jazz idiom than the rhythmic content. |
CD: Piano Solo
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| Sit back and relax as the story is told. Piano solo. |
CD: Piano Solo
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| A Jazz piece, recorded with piano and acoustic bass, that contains all 12 notes in the melody and bass line...explores the Dorian mode. |
CD: 52 Pick-up
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| A Jazz ballad, for solo piano. |
CD: 52 Pick-up
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| A Jazz ballad, some rather complex harmonies, straightforward form. |
CD: 52 Pick-up
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| The feeling of rootlessness - a Jazz composition for solo piano. |
CD: 52 Pick-up
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| Silent Violence - piano solo, moto perpetuo |
CD: 52 Pick-up
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| An original composition for solo piano, composed in 1994, in tribute to Samuel Barber, Alexander Scriabin, Frederic Chopin, and John Field. Performed by the composer. |
CD: Works
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| One of the earlier, Chopinesque compositions by Alexander Scriabin. The predilection for extended dominant harmony is present here, but not intensified as in the later works. |
CD: The Piano Music of Alexander Scriabin
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| A brief character piece by Alexander Scriabin, steeped in mystical sonorities, composed after his transitional period. |
CD: The Piano Music of Alexander Scriabin
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| Another late piano work by Alexander Scriabin. |
CD: The Piano Music of Alexander Scriabin
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| A brief character piece by Alexander Scriabin, one of the late, "mystic" works...dark flames. |
CD: The Piano Music of Alexander Scriabin
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| One of the last works Scriabin composed before his untimely death. The harmonic language is completely saturated with the pursuit of theosophical mysteries, and no longer resembles tonality. |
CD: The Piano Music of Alexander Scriabin
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| Atmospheric, rhythmic but gentle, with world percussion. |
CD: Mysterieux
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| Seasonal poetic hues melodically portrayed, created with synthesized sounds and samples. |
CD: Contrasts and Visions
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| A rich and contemplative journey, electronic piano and strings. |
CD: Contrasts and Visions
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| A poem about the essence of life, and following your dreams...opening line "Categorical sunrises, visions of never" |
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| On the neverending depth of experience in human existence...opening line is "The iron age, where are the sympathies..." |
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| A brief cultural exploration, on changing paradigms...opening line is "I'll bring ya' 'round, bring the sultry tone spirit down..." |
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| As the finite, temporal mind opens up and embraces the infinite universe, the music enters from all around. This is a lush electronic conception, with a drone on Bb. |
CD: Contrasts and Visions
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| This work utilizes math functions and algorithms mapped to frequency and amplitude, to generate a library of sounds, which are then arranged in time like a mosaic. |
CD: Mysterieux
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