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| In the manner of a Bach slow movement, with some 19th and 20th century influences. (Apologies for the sampled guitar -- check back for an acoustic version, soon.) |
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| A late-romantic score for small orchestra. |
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Credits: UCLA studio orchestra, Thom Sharp conducting. |
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| A nostalgic, post-noir jazz arrangement for eleven strings. Part of a reading of student works written in the UCLA Film Scoring program. |
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| A short, jazz-influenced duet for violin and piano |
CD: Novelty
Credits: Tom Vos, violin; Nicholas Pavkovic, piano |
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| A film cue, written in a mid-50s jazz style. |
CD: Novelty
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| An arrangement of the title music originally written for Uschi Ferstl's 1996 film, "Tupperkulose". |
CD: Novelty
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| Duet for violin in piano; written in a late romantic idiom |
CD: Novelty
Credits: Tom Vos, vioin; Nicholas Pavkovic, piano |
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| A duet for oboe and harp, in an early 20th century style |
CD: Novelty
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| Short cue for a chase scene; strings, horns, dulcimer, percussion |
CD: Novelty
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| A duet for clarinet and piano in a style that recalls Granados and de Falla. |
CD: Novelty
Credits: Elena Weber, clarinet; Nicholas Pavkovic, piano |
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| From "The Adventures of Pinocchio", a work in progress for winds. This chase scene is realized by sampled wind instruments. |
CD: Novely
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| A duet for clarinet and piano, written in a romantic style |
CD: Novelty
Credits: Elena Weber, clarinet; Nicholas Pavkovic, piano |
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| Pastoral cue; strings, woodwinds, horns |
CD: Novelty
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| This is a rough reading of the first movement of the (short) American Quintet. © Nicholas Pavkovic, 2001. |
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| This is a rough reading of the second movement of the American Quintet. |
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