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| Subtitled "The Virgin Goddess of Aggression" it was composed for the Freedom in a Vacuum compilation "To Step Outside and Keep Walking". Sort of a double concerto for electric guitar and violin with an orchestra of metallic percussion instruments. Part 1 features the electric guitar. |
CD: To Step Outside and Keep Walking
Label: Freedom in a Vacuum/Swinging Axe Productions
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| Tarnish is a 4'27" piece using processed guitar (no that's not a freight train) and the Zoom RhythmTrak 234 drum machine |
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Credits: Art Simon: all sounds |
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| This was recorded at the Bumbung wildlife viewing hide in Taman Negara national park, Malaysia, at sunset. It was recorded on a Sharp MT-15s minidisc recorder using a home-made stereo microphone with Panasonic WM-60AY mic elements |
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| Recorded with a Sharp Sharp MD-MS702 and a Sony ECM-MS907 stereo microphone at Fort Point in San Francisco one foggy morning. |
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| This is a BINAURAL recording (listen to it with headphones for a realistic stereo image) of school children in Kuala Tahan singing a geeting to their teacher. Kuala Tahan is the town just outside Taman Negara national park. The recording was made with a Sharp MT-15s minidisc recorder and a home-made microphone with Panasonic WM-60AY mic elements. |
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| This is a recording of a performance that was arranged by a Oxford musicology student in Tasik Chini Malaysia on July 13th 2000. The instrument was a freshly cut log suspended from two ropes which provided a background to singing and dancing. It was recorded with a Sharp MT-15s minidisc recorder and a home-made stereo microphone with Panasonic WM-60AY mic elements. |
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| I made this recording of a garbage truck in front of my house one morning at about 5 am. I used a Sharp MT-15s minidisc recorder and a home-made stereo microphone with Panasonic WM-60AY mic elements. For such a set up I think the dynamic range is AMAZING. This is my favorite ambient environmental recording. |
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| My magnum opus (if I don't say so myself). A feedback algorithm (written using MAX, a music programming language) known as the logistics function, Xnext = rX(1-X), is used to generate a cloud of string sounds; a backdrop to a hammered din of probabilistic metallic percussion and guitar noise. |
CD: More of the Same
Label: COHORT RECORDS, http://members.aol.com/cohortrec/music1/index.htm
Credits: Mastered by d. Brown at Pine Forest Studios |
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| Loops of processed guitar set against a background of probibilistic rhythms patterns generated by a drum machine I wrote using MAX (a music programming language). |
CD: More of the Same
Label: Cohort Records, http://members.aol.com/cohortrec/music1/index.htm
Credits: Mastered by d. Brown at Pine Forest Studios |
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| Drummer extrodanaire Rick Sanford conmposed this piece. To his drum and bass, I added some guitar, harmonica (!) and granular synthesis. |
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Credits: Rick Sanford, composition, drums, bass |
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| Techno in 3/4 at 220 bpm. Created with ReBirth RB-338 |
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