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| Breathless is dedicated to Ruth Anderson and Annea Lockwood | |
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| Nude Ascending is dedicated to Richard Kostelanetz | |
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| "Creshevsky is as much a virtuoso of the sampler as anyone working in the field. But instead of using it for mere technical effects, he turns it into a tool of the imagination, creating impossible ensembles from some parallel universe. In place of notes, Creshevsky uses sampled gestures, noises, and radio snippets as his textural atoms, playing dodecaphonist with bits of our lives. His sampler is a means toward not only superhuman virtuosity, but a new universality."--Kyle Gann, music critic, Village Voice.
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