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Monolith Tone's computer music is ambient music, but
it retains an edge and draws from experimental computer music
software. The songs are composed using granular synthesis techniques,
digital multitrack mixing, Phase Vocoding, FM Synthesis, and
composed using software likeCsound,
a sound development environment coming out of theMIT media labs
under the direction of Barry Vercoe, and the
Computer Music Center
at Columbia University directed by
Brad Garton (where I studied).
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CD: Monolith, Volume 1
Label: Smiling Dog Productions
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An experimental piece of computer music with soothing timbres and phase vocoded voice. |
CD: Monolith, Volume 1
Label: Smiling Dog Productions
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An electronic piece inspired by early electronic musicians such as Jan Hammer. |
CD: Monolith, Volume 1
Label: Smiling Dog Productions
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