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These tracks are
intended as a catalog of riffs, only; they are not intended as "finished pieces"
or "commercial music" of any kind, thus may contain errors.
I am making these
available for background listening, or as a set of riffs that may be copied
by someone learning to play Blues, as very little information on, or examples
of, the more "primitive" Pre-War Country, Mississippi, or Delta style
guitar or Barrelhouse or early Blues Piano is available. These riffs
are essentially original, representative of the mentioned styles, and stream-of-consciouness,
as I make no attempt to play the same 'piece' twice. My interest
is in styles and new patterns consistant with the styles, not "songs".
Nomenclature: the
names of the tracks state the instrument and their content.
For guitar pieces, "G nn" are all played
on my 1935 National steel guitar, Swamp Thing, tuned to Open G and are played
in the key of G. "C in G nn" means the track is played
in the key of C while the guitar is tuned to Open G; similarly for "D in
G nn". I know of no one else playing Blues like this. Further,
"b" refers to bottleneck, "r" refers to a religious style,
and "A" refers to my wooden Alvarez.
For piano pieces, played on an Alesis QS8 synth,
the first, capitalized letter refers to the key, and after two spaces, single
letters refer to individual notes, and parentheses (ab) refers to a chord. In
this case, a two note chord with the lower note "a" and the upper
note "b".
For example: "C (d#g)(eg)(ca)(a#g)"
is in the key of C, and the first strokes are the chords d#g, eg, ca, and a#g. Sharps
are used exclusively, as no symbol for flats distinguishable from the note "b"
exist.
My piano heroes
are Montana Taylor and Jimmy Yancey.
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Open G tuning, bottleneck, religious. |
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Open G tuning, Alvarez guitar. |
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Open G tuning, Alvarez guitar, bottleneck. |
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