|
|
Yo, this be an update from the "Journ-man!" I moved to several places, and finally decided on Soundclick. Newer songs, better production, and a host of other things. So get yo act over there for some top 50 material. Soundclick
Hey, I'm not done yet! I did a little renovation to this page, slimmed it up a bit, and a song is currently in the upload process. Also if you are a fan, speak up, and don't worry about leaving a link to your band page. If someone promotes their own band, I usually ignore that message as being spam. Other people get a response and I actually might listen to their songs.
Hi all! I'm Introspective Journeys. Feel free to go to my website for more information. Introspective Journeys Homepage
Check out my other artist Alien Crosstalk
Top 5 Songs:
1. **Sanctuary #42** (3-25-01) Symphonic Electronica
2. Spaceship: Tech 3 #80 (3-31-01) Intelligent Techno
3. Future World #101 (3-30-01) Symphonic Electronica
4. Mars Base: Alien Memories #121 (3-28-01) Game Soundtracks
5. Aggression (overdriven spybreak mix) #145 (3-28-01) Progressive Electronica
5. Manalog #145 (3-29-01) Rave/Old Skool
|
|
|
|
|
This is a cool EBM tune written in 6/8 time. For more songs like this head to my new page soundclick.com/introspectivejourneys. |
Credits: 2002 Mark Ridlen |
|
|
|
|
|
|
|
Like Utah Saints? This is sort of a rock/rave with a syncopated break/rock beat. And when I say beat, I mean all the intricate rhythms of synths as well as the drums. |
Credits: Mark Ridlen |
|
|
|
|
|
|
|
This song will eat you alive. It is a mass of drums, bass and fx. I hope you enjoy it as much as I do. I'm looking for feedback on this one, so feel free to contact me. |
Credits: Mark Ridlen |
|
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|