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| A sacred song for soprano, clarinet and Baroque string quartet - the title means "Come Holy Spirit." This is a setting of the celebrated 13th century prayer, sometime called the "Golden Sequence," that is associated with Pentecost and the coming of the Holy Spirit upon Christ's Apostles. |
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Credits: Christine Brandes, soprano; Diane Maltester, clar. |
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| SATB setting of verses from Psalm 40. Diatonic, austere but dramatic work. About 6'. |
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Credits: Central WA Univ. Chamber Choir, Karyl Carlson conductor |
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| A setting in Latin for women's chamber choir of the traditional Magnificat text from the Book of Luke.. |
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Credits: Mt. Eden H.S. Women's Choir, Genevieve Sagi conductor |
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| A sacred instrumental work for violin, clarinet and piano. Austere yet beautiful. |
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Credits: Strata: James Stern, vl; Nathan Williams, cl; Audrey Andrist, pno. |
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| Multi divisi SATB choral work, 7'30".Latin text/sacred. |
CD: Cultivated Choruses
Label: Capstone Records
Credits: CSU Hayward Singers, David Stein conductor |
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| A solemn, dramatic setting of the Nicene Creed in Latin, SATB. |
Label: Right Road Music
Credits: San Francisco Chamber Singers, Robert Geary director |
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| Solo piano; 3'30". Intimate, introspective work. Written as a gift to a friend and colleague dying of cancer. Dedicated to Robert Basart. |
Label: Right Road Music
Credits: Matthew Laurence Edwards, pianist |
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| Commissioned by Orchestra Sonoma, this is a 12-minute pastorla idyll for orchestra. |
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Credits: Orchestra Sonoma, live recording, March 1999 |
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| Very high energy curtain-raiser. Reminiscent of John Adams in places. |
CD: Music for Winds and Percussion
Label: Music Educator's Digital Recordings, vol. 6
Credits: Northern Illinois University Wind Ensemble |
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| Two-piano piece. Festive, neotonal, with some minimalist influence. |
Label: Right Road Music
Credits: Zita Carno and Gloria Cheng, pianos |
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| Single-movement symphonic work. Fast-slow-fast, energetic and powerful. "American" music - reminiscent of Copland in places. |
Label: Right Road Music
Credits: California Symphony, Barry Jekowsky conductor |
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| Solo piano. Modernist language, composed in 1983. |
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Credits: Matthew Laurence Edwards, piano |
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| SATB setting of the Gospel of John, verses 1-12, in English. |
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Credits: SF Bay Area Chamber Singers, David Stein, conductor |
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| A setting of Theodore Roethke's masterpiece, "In a Dark Time" for choir and chamber ensemble. |
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| A ten-minute solo cello work. Intensely lyrical and technically challenging. |
Label: Right Road Music
Credits: Lawrence Granger, cello |
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| A very early work: my "Opus One" when my music was in the full flower of academic modernism. Still, there is a clear impulse towards drama in the violent contrasts of the first half and the frustrated lyricism of the second half. Almost 16 minutes - worth a listen. |
Label: CRI
Credits: Members of the Alexander String Quartet. |
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| Song cycle for tenor and large chamber ensemble setting three poems of Theodore Roethke: "Song", "The Thing" and "The Pure Fury". Texts used with permission. |
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Credits: Thomas Acord, tenor; Stephen Dibner, conductor |
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| Song cycle for tenor and large chamber ensemble setting three poems of Theodore Roethke: "Song", "The Thing" and "The Pure Fury". Texts used with permission. |
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Credits: Thomas Acord, tenor; Stephen Dibner, conductor |
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| Song cycle for tenor and large chamber ensemble setting three poems of Theodore Roethke: "Song", "The Thing" and "The Pure Fury". Texts used with permission. |
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Credits: Thomas Acord, tenor; Stephen Dibner, conductor |
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