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| This track is carried on the current of the bass riff and its evolution. Eddys form towards the end of the piece as it transitions to Part 3. I would like to point out the intricate high-range synths and the trashcan percussion. |
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| Approx. 5 min. Caught in a crossfire at the steel mill. You'll need stereo speakers to listen to this one; go ahead, move them as far apart from each other as possible. Or better yet, use headphones. The energy from the Club Solos gather and shatter in this track, but this is no journey through insanity--the piece is groovalicious, not explosively powerful. |
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| This is a cool-down final track riding through your stereotypical ambient dreamscape. There's nothing really special about it except that I wrote it--and that only makes it special to me. Though I don't know how much ambient has light percussion. |
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