|
 |
|
|
|
This is the first in a series of pieces using Charles Ives Favorite composition method bitonality. This piece was composed using a fractal music program called Musinum by Lars Kindermann. It also has sort of a groove funk thing going on in the bass even with the bitonality. It is an interesting project and I will try my best to keep the ones to come even more interesting than this one. |
CD: None
Label: None
Credits: Noel Milburn |
|
 |
|
 |
|
|
|
The title is Chinese. The literal translation is: Go Slow, but the actual meaning is: take care. I again ued the software Musinum to create this piece. It uses a process in Fractal music called stepping. If you are familiar with it you will understand it. This is a midi rendering of it. It has an Asian twist to it because of the use of the Pentatonic Scale. Listen to how the tracks build up on eachother then climax to a point. |
CD: None
Label: None
Credits: Noel Milburn |
|
 |
|
 |
|
|
|
A piece performed by a group that I play withwhich specializes in Baroque Music from EarlyCalifornia and Mexico of the late 1700s. This is a very interesting piece with some tricky rhythms. I will probably remove it after I get some of my own on. |
CD: Lost Treasures of New Spain
Label: Eriador Records
Credits: John Warren and the New World Baroque Orchestra |
|