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Please see my website about offering an advance
of money in return for royalties of these songs or click here: advanceforroyalties.html
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music and artwork is copyright by New Zealand law, by virtue of the fact
that I did it.
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| If I Don't Care had a video made for it there would be this scene where there are people standing around a stereo at a party and when the electric guitars come in, they would be physically blown away by this unseen off-screen fan in the direction of the speakers. I might have to chop out frames at this point to make the blowing away faster, which is the easiest thing in the world with modern computer technology, just judge which ones, click and delete. I could do that little editing job in 5-60 minutes but apart from little ideas like that I wouldn't interfere with the director.
I was going to record 100 electric guitars all erupting at once, but stopped after 20 and only used 8 in the end. | MP3.com CD: wild one. -  buy it!
Credits: Mick Corb |
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| I'm Free is almost note-for note the way it was when I was 16, including the long introduction. Even the backwards guitars were in my head then. Another killer chorus, I think. Recording the drums in the coda, I was screaming in frustration because I couldn't play in time to the acoustic guitar part in my headphones and studio time I couldn't afford was fast running out on the last day... But I knew I could take individual samples of drums and paste them in time with guitar strums. Otherwise the drumming is performed. | MP3.com CD: wild one. - buy it!
Credits: Everything by Michael Corballis |
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| Some years ago I was jamming with a friend who had borrowed a fretless bass on which I invented a riff I thought was cool, and this riff is the reason my bass is fretless. Also, some anonymous person wasn't having a good Saturday night so he abused my answer phone at 1:00 am. I thank him for the depth of feeling in his vocal performance which a musician is always striving for. A great recording like that should not be wasted. There is also a technique I call Stockhausening, because Stockhausen invented it. You know how, if you get a drum beat and speed it up, you get Drum'n'bass? Well, if you slowly start to speed a rhythm up even more, the beats eventually blur and it becomes a note. So one sound can be made to change from a rhythm to a note and back again. I like the concept of Stockhausening and I'll use it again. | MP3.com CD: wild one. - buy it!
Credits: Everything by Michael Corballis except words and vocal performance by Anonymous |
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