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Art is a way of saying what it means to be alive,
and the most salient feature of existence is the
unthinkable odds against it. For every way
that there is of being here, there are an infinity
of ways of not being here. Historical accident
snuffs out whole universes with every clock tick.
Statistics declare us ridiculous.
Thermodynamics prohibits us.
Life, by any reasonable measure, is impossible,
and my life-this, here, now-infinitely more so.
Art is a way of saying, in the face of all that
impossibility, just how worth celebrating it is
to be able to say anything at all.
- Richard Powers
let's start a riot
yeah
we'll do it right
and we'll dance the night away...
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| This song is unmastered, unmixed, and lacking all the overdubs you can imagine. It was recorded in a really nice studio in three hours. Two of those hours to set up mics. Go figure.
So here's the breakdown.
Instrument = Time Taken To Record
Drums and Bass = 20 Minutes
Two Guitars = 15 Minutes
Vocals = 10 Minutes
Tambourine = 2 Minutes
This is NOT the final copy. There will be more where this came from. | |
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| Acoustic.
"Thought I knew the world was wrong. Guess I thought too much" (Recorded August of 2001. Released August of 2001) |
CD: Acoustic CD
Credits: © Harbinger 2001 |
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| "Oppurtunities we can't afford. Why? Lies. White lies" We've been singing this solemn song too long. Like a kick in the face and a dick in the ass, we've been fucked long enough. We've been worked, sabotaged, bruised and beaten. Baby, it's time for a change. (Recorded December of 2000. Released January of 2001. Thank you to Lukasz for the Samples and Turntables) |
CD: Ballads of Love and Destruction (Split CD with LiP)
Credits: © Harbinger 2001 |
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