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Don't need many words to describe this song, which rails against the ritual humiliation of the individual by the state, set to a slithering groove and a jazzy chorus. Featuring Gentleman's Rap, which is basically poetry spoken with strong rhythmic sense, in an english accent. Gosh! | MP3.com CD: Songs from the Middle Ages - buy it!
CD: Songs from the Middle Ages
Credits: gpwayne |
Story Behind the Song
Suddenly, right in the middle of your life, you are no longer an automatic asset to potential employers. To make matters worse, when you get unemployment benefit you have to endure a strange hostility and a kind of initiation where you must demonstrate your subservience and how grateful you are for the state's magnanimous hand-out. It needn't be like this, but there's a predjudice behind it...
Lyrics
Every second Thursday
At an un-natural time
I go to take my place
In an unbroken line
Of misplaced machine parts
The waste of industry
The dross of commerce
There we stand
Cogs with no teeth
And we shuffle about
The end of the line
Is drawn on bullet-proof glass
Behind which we watch
Six men drinking tea
And a woman with thin lips
In a lifeless dress
That matches the grey of the walls
And the cabinets
And her eyes
As we shuffle about
She punches in the code
Software sighs and dies
She's pulling my strings from behind the glass
And there's laughter in her eyes
So sorry, she intones
There must be some mistake
Why don't you join the queue at the enquiry desk
You won't have long to wait
And wait…
And wait…
Every second Thursday
For the rest of my time
I'm going to claim my place
On this assembly line
Of rusted machine parts
Devoid of industry
…and behind the glass
in a digital web
sits spider-woman
giving terminal time
to her living dead
the growing line of
displaced people
decrepit and worn like
untended machines
the obsolete heart
of a decaying colossus
the dance of a derelict
abandoned, alone
and all you can do
tossed away like old salad
is adjust your dressing
form a queue
And shuffle about
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