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Ron Jeremy's Hypothetical Lovechildmp3.com/ronjeremy

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    "4. Zen and the art of Plinko"genre: Spoken Word
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    Like Chevy Chase's character in the film Funny Farm, sometimes what I write tastes good, but after closer examination you realize you have just eaten buffalo balls. Background music by Groove Lab: http://artists.mp3s.com/artists/56/groove_lab.html
    CD: Confessions   Label: AniLigital Music
    Credits: Tal Klein / Groove Lab

    Lyrics
    I often find it amusing when people ask me what my
    writing means. If there is meaning in what I write,
    I promise I do not hide it. These misunderstandings
    emerge from the reader's want to have something
    tangible after reading. It is a variable of the
    feeling of satisfaction similar in nature to that
    of having eaten a big meal. My writing is different
    from the norm because I do not tell you what you have
    eaten. Like Chevy Chase's character in the film Funny
    Farm, sometimes what I write tastes good, but after
    closer examination you realize you have just eaten
    buffalo balls. Some other times what I write tastes
    unbearably terrible, and then you realize it was your
    favorite meal. Those are the trials of reading through
    a verbal blindfold.

    The meaning is in the spaces, between the paragraphs,
    sentences, words, and letters. The trouble with the
    search for meaning goes back even as far as the
    fundamental principal of god. Since god is not tangible,
    you cannot feel god through any logical physical senses,
    yet some of us are confident he is with us. There are
    those who are uncomfortable with this eerie feeling of
    carrying with them some divine entity which they cannot
    physically explain, so they make statues, and write books
    to represent this feeling of being watched by and being
    part of something.

    Trace back the origins of laws and you will find morality.
    Don't stop there, keep going beyond morality, and you
    will find god. Behind god you will find insecurity.
    Insecurity is what drives our want to understand. We do
    not trust ourselves. We are convinced that what we see
    deceives us, so we make up things that we cannot see to
    control the things we see, but we do not trust those things
    that we cannot see because we cannot see them.

    We then make tangible physical representations of those
    things we cannot see, but deep inside we know that what
    we see is really a representation of something we cannot
    see, and since we do not trust ourselves, we wrap
    metaphysical blindfolds over our eyes and move around the
    world like Plinko chips hoping to land on the five
    thousand dollar prize, fully knowing that were it not for
    the studs which we have put in our way to represent the
    powers which we do not know to be, all we'd have to do is
    move forward, guided solely by our senses, and we'd reach
    our goal effortlessly.

    "But," interrupts Jimini Cricket, "what if we miss?" This
    is where we decide that all this nonsense is not worth
    worrying about, so we invent a god, manifested through studs
    on the Plinko board, to guide us. We figure, if god wills
    it, we will land on the five thousand dollar prize. This
    is where the concept of fate comes to play. Fate is the
    absence of responsibility for our actions due to free will.
    I say, "I have landed on the zero slot and not the five
    thousand dollar slot because it was my destiny." I,
    therefor, am not responsible for my failure to reach my
    goal. Without the studs, I would have been solely responsible
    for where I landed. I lack the confidence to soar down the
    board (life) without the studs (god).

    All of morality is based on this principle, which is
    somewhat ironic considering morality is all about you
    taking responsibility for your actions, even though, at
    the heart of it all, morality is based on the word of god,
    and the word of god is our belief in the absence of control
    over our actions.

    In all essence, laws are our contract with god to be served
    our plates in random fashion so that we do not personally
    have to be responsible for ourselves, since we are too
    insecure to remove our blindfolds and see the light,
    darkness, or whatever the hell is really beyond the
    transparent horizon of this microcosm we call the
    objective world. Next time you look at an ant farm,
    think of who those ants think you are, and how similar
    their world resembles Plinko.

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