|
|
More Free Music by this Artist
|
|
|
|
|
|
An exploration consisting of a series of tempo changes performed with a 10-note multi-intrumental melody. |
CD: Can You Stay Forever?
Label: Discord Aggregate
Credits: Words, music: A. Molotkov. Pamela Zero: spoken voice, vocal, acoustic guitar; S.B. Reda: spoken voice, electric guitar; Annie Vox: spoken voice; Cindy Lubar Bishop: spoken voice; Carol Alban: silver flute; Peter Altenberg: sarangi; Dan Cantrell accordion; Joshua Gest: electric sitar; Alexander Kort: cello; Zachary Pitt-Smith: alto saxophone; Lila Sklar: violin; Azi Vajravai: zurna; A. Molotkov: spoken voice, Bengali flute + vocal, vocal, duduk, keyboards, plucked violin, lid |
Lyrics
we die in our sleep
like those who are out of practice
we leave all urgent messages
unanswered
to correct the errors of the past
the Society of Lost Brothers
is preparing a celebration
of everything
that has not been celebrated yet
the President
is compiling a list
of all such items
he writes them down in a book
located in his memory
when his memory overflows
he doesn't notice
only one of the Lost Brothers knows:
the celebration
will never be complete
the errors
will never be corrected
the Gardener of Else
is preparing a feast for his rival
The Voiceless Adept of Other
who measures success in elapsed time
and mixed meanings
(his palace is not made of air
but of vacuum)
when the feast begins
all sounds are transparent
like palms of amputated hands;
all information has been brought to zero -
let's start again!
when the feast is over
all clocks in the world strike two
twice in a row
but not so we could hear
when the guests are gone
all items in the world trade places
with themselves
|
|
More Free Music by this Artist
Copyright notice. All material on MP3.com is protected by copyright law and by international treaties. You may download this material and make reasonable number of copies of this material only for your own personal use. You may not otherwise reproduce, distribute, publicly perform, publicly display, or create derivative works of this material, unless authorized by the appropriate copyright owner(s).
|
|