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    "Pale Blue Cadillac©"genre: Traditional Country
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    "Pale Blue Cadillac" is a tribute to the genius and enduring legacy of the great Hank Williams. The song is also a recognition of the blending of musical styles, the great traditional style of Hank, as Luke the Drifter, and the smooth, sophisticated style of Mr. George Morgan, a style before its time when you think about the blending of today`s country sounds and pop sounds, from the Nashville Sound to today. "Pale Blue Cadillac" has received a good bit of independent radio airplay in the Tallahassee area, for which we are appreciative to 93.3 FM Country radio in Quincy, Florida, the home of real country.
    CD: Greater BigBend Sampler   Label: BlueBass Recordings
    Credits: Written by Ron Patrick, Charles Miner and Eddie McFarland (Greater BigBend, BMI). Performed by Eddie McFarland. Thanks to Brian Hill (lead guitar), Ray Wiley (steel guitar), Danica Winter and Del Suggs (harmonies), and Steve Redmond (drums). Mastered by Pete Winter, Tallahassee, Fl.

    Story Behind the Song
    David Allen Coe and Alan Jackson have probably the two greatest songs about the memory of Hank Williams that have ever been written. We wanted to write one too. So we did.

    The sign in Montgomery read -- Montgomery to Mobile - 9 cents a minute. The technology era. A year later, on that same road, in 1996, I wrote the first verse in a motel room in Montgomery, thinking that Hank probably road that very same highway in his Cadillac to Nashville that I was riding that Saturday.

    Years later (1999) my buddy Judge Miner and I somehow decided we wanted to write a song about Hank. Judge and I developed the basic story of the song and Judge remembered that the Opry had Hank and George Morgan on stage at the same time in 1948 (might have been 1949 but we couldn`t verify that). We put it in the song anyway, or Judge did and I agreed.

    After several phone sessions Judge finished the story about Hank and George. I developed the lyric and titled the song, and Judge enlisted Eddie MacFarland of Cypress Creek to do the melody.

    Outsiders writing about someone`s departed loved ones assumes an awful lot. So once we figured out that the song was going to get airplay, we sent a letter of introduction and a copy of the song to Hank Jr`s manager and Lorrie Morgan`s manager. We explained what we were doing with the song and asked for any concerns or input about the song.

    I am pretty sure we would not have pulled the song if we had gotten any response, but somehow it felt right to do the right thing by at least showing concern for the families` feelings.

    Lyrics
    Mobile to Montgomery,
    lost off the interstate
    Drivin through a cold hard rain,
    and prayin for a break
    A neon sign flashed food and gas,
    stop and rest a spell
    Stay a night or stay a week
    at George and Luke`s motel

    I drove across the gravel lot,
    the clouds were low and black
    I parked beside the only car,
    it was a pale blue Cadillac
    An eerie light fell across the desk
    when I signed the motel book
    I took the key, climbed the stairs,
    tired, cold and shook

    Another time, another place,
    that much I could tell
    TV, phones, and microwaves
    not at this motel
    About the time I turned to leave
    something held me back
    Was it the stormy night or the neon light
    on that pale blue Cadillac.

    I hit the sack and a shadow passed
    across the window shade
    Voices from the room next door
    made me wonder why I stayed
    A guitar ran some simple chords
    to Your Cheatin Heart
    Then a voice begin to whine
    that lonesome sacred part

    Pure and clear and note for note
    those songs were just the same
    Simple truth and soulful sounds
    of love and loss and pain
    Another voice began to sing
    and it really blew my mind
    Candy Kisses Wrapped in Paper
    never sounded quite so fine

    I packed to leave at first daylight
    and I saw the door ajar
    It opened on a storage room
    crammed like a church bazaar
    And there upon the dusty floor
    where light would rarely shine
    lay an empty Seagram's bottle
    and a battered Ryman sign

    In faded old red letters
    that sign still had a date
    when the Opry had 'em both
    on stage in 1948
    I stashed the Ryman sign
    and Seagrams bottle in my car
    then headed back to Mobile
    like a ghost that went too far

    Some swear the Ryman walls hide
    souls that just cant rest
    Most would say that Luke and George
    were more than just the best
    Hank's lonesome sounds had simple truth
    for hearts too blue to cry
    When George sang Candy Kisses
    how could memories fade and die

    From time to time I drive the road
    east of the interstate
    Ten miles from Montgomery
    where I always stop to eat
    I still look around if I think I've found
    the place that calls me back
    but I never found the motel sign
    or the pale blue Cadillac

    And that poster and the bottle
    the ones I threw in the back
    Well, they just turned up missin`
    like that pale blue Cadillac

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