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"Pale Blue Cadillac" is a tribute to the genius and enduring legacy of the great Hank Williams. The song is also a recognition of the blending of musical styles, the great traditional style of Hank, as Luke the Drifter, and the smooth, sophisticated style of Mr. George Morgan, a style before its time when you think about the blending of today`s country sounds and pop sounds, from the Nashville Sound to today. "Pale Blue Cadillac" has received a good bit of independent radio airplay in the Tallahassee area, for which we are appreciative to 93.3 FM Country radio in Quincy, Florida, the home of real country. |
CD: Greater BigBend Sampler
Label: BlueBass Recordings
Credits: Written by Ron Patrick, Charles Miner and Eddie McFarland (Greater BigBend, BMI). Performed by Eddie McFarland. Thanks to Brian Hill (lead guitar), Ray Wiley (steel guitar), Danica Winter and Del Suggs (harmonies), and Steve Redmond (drums). Mastered by Pete Winter, Tallahassee, Fl. |
Story Behind the Song
David Allen Coe and Alan Jackson have probably the two greatest songs about the memory of Hank Williams that have ever been written. We wanted to write one too. So we did.
The sign in Montgomery read -- Montgomery to Mobile - 9 cents a minute. The technology era. A year later, on that same road, in 1996, I wrote the first verse in a motel room in Montgomery, thinking that Hank probably road that very same highway in his Cadillac to Nashville that I was riding that Saturday.
Years later (1999) my buddy Judge Miner and I somehow decided we wanted to write a song about Hank. Judge and I developed the basic story of the song and Judge remembered that the Opry had Hank and George Morgan on stage at the same time in 1948 (might have been 1949 but we couldn`t verify that). We put it in the song anyway, or Judge did and I agreed.
After several phone sessions Judge finished the story about Hank and George. I developed the lyric and titled the song, and Judge enlisted Eddie MacFarland of Cypress Creek to do the melody.
Outsiders writing about someone`s departed loved ones assumes an awful lot. So once we figured out that the song was going to get airplay, we sent a letter of introduction and a copy of the song to Hank Jr`s manager and Lorrie Morgan`s manager. We explained what we were doing with the song and asked for any concerns or input about the song.
I am pretty sure we would not have pulled the song if we had gotten any response, but somehow it felt right to do the right thing by at least showing concern for the families` feelings.
Lyrics
Mobile to Montgomery,
lost off the interstate
Drivin through a cold hard rain,
and prayin for a break
A neon sign flashed food and gas,
stop and rest a spell
Stay a night or stay a week
at George and Luke`s motel
I drove across the gravel lot,
the clouds were low and black
I parked beside the only car,
it was a pale blue Cadillac
An eerie light fell across the desk
when I signed the motel book
I took the key, climbed the stairs,
tired, cold and shook
Another time, another place,
that much I could tell
TV, phones, and microwaves
not at this motel
About the time I turned to leave
something held me back
Was it the stormy night or the neon light
on that pale blue Cadillac.
I hit the sack and a shadow passed
across the window shade
Voices from the room next door
made me wonder why I stayed
A guitar ran some simple chords
to Your Cheatin Heart
Then a voice begin to whine
that lonesome sacred part
Pure and clear and note for note
those songs were just the same
Simple truth and soulful sounds
of love and loss and pain
Another voice began to sing
and it really blew my mind
Candy Kisses Wrapped in Paper
never sounded quite so fine
I packed to leave at first daylight
and I saw the door ajar
It opened on a storage room
crammed like a church bazaar
And there upon the dusty floor
where light would rarely shine
lay an empty Seagram's bottle
and a battered Ryman sign
In faded old red letters
that sign still had a date
when the Opry had 'em both
on stage in 1948
I stashed the Ryman sign
and Seagrams bottle in my car
then headed back to Mobile
like a ghost that went too far
Some swear the Ryman walls hide
souls that just cant rest
Most would say that Luke and George
were more than just the best
Hank's lonesome sounds had simple truth
for hearts too blue to cry
When George sang Candy Kisses
how could memories fade and die
From time to time I drive the road
east of the interstate
Ten miles from Montgomery
where I always stop to eat
I still look around if I think I've found
the place that calls me back
but I never found the motel sign
or the pale blue Cadillac
And that poster and the bottle
the ones I threw in the back
Well, they just turned up missin`
like that pale blue Cadillac
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