"The 1st Ode of the Easter Kanon" genre: Medieval
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	Bizantine Chant... The Church attributes the Easter Kanon's authorship to Saint John the Damascene, who lived in the VIII-th century and established church "oktoechos" (eight tones)- common base of liturgical singing, consisting of eight tonal-melodic systems (see song diskription for more ditales)
	MP3.com CD: ANTHOLOGY OF SACRED MUSIC - buy it! MP3.com CD: TO THEE WE SING - buy it! CD: ANCIENT CHURCH SINGING OF BYZANTINE,GEORGIA AND RUS Credits: ENSEMBLE OF OLD CHURCH MUSIC "SRETENYE"
	Story Behind the Song The true church singing is an integral part of the Church tradition. It comes into being in co-creativity of ascetics and the Holy Spirit, and it is not so much music as a kind of prayer. We can talk only approximately about the date and authorship of hymns represented on the disk. Some Greek and Bulgarian musicologists believe that Eastern Orthodox liturgical singing originates from the singing of levites in ancient Israel. Making its way with Christianity and changing in the light of national features, Eastern Orthodox (Byzantine) singing has begun church-singing culture of Georgia, Bulgaria, Serbia and Rus. Saint John the Damascene, who lived in the 8th century, established church "oktoechos" (eight tones)-common base of liturgical singing, consisting of eight tonal-melodic systems. Also the Church attributes the Easter kanon's authorship to him.

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