"White Boys Got Rhythm" genre: General Comedy
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	The original rap waltz.
	MP3.com CD: Let The Listener Beware - buy it! CD: Let The Listener Beware   Label: ZFD Productions Credits: White Boys Got Rhythm (3:24) - Words and Music by John Sawoski & Paul Nahay. © 1993 MILLION OAKS MUSIC (ASCAP) AND (P) 1993 ZFD PRODUCTIONS. ALL RIGHTS RESERVED. Produced and Arranged by John Sawoski & Paul Nahay. Male Rap Vocals: Paul Nahay & John Sawoski. Female Vocals: Rozlyn Sorrel & Sherry Williams. Keyboards: John Sawoski & Paul Nahay. Percussion: Bob Moore. Electric Guitar: Joe Milton. Electric Bass: Adrian Rosen. Recorded in Hollywood, California, 1993. ZFD Productions, P.O. Box 7060, Beverly Hills, CA 90212
	Lyrics White Boys Got Rhythm Words and Music by John Sawoski and Paul Nahay GIRLS: White Boys got rhythm White Boys got soul White Boys got rhythm BOTH: Everybody waltz! FX: One, two, three! JOHN: Do the rap waltz! PAUL: Let's jam! JOHN: Everybody clap your hands! PAUL: Do the rap waltz! JOHN: Make a move! PAUL: Come dance the White Boys' funky groove! BOTH: Everybody waltz!!! JOHN: Now, Caucasians, as a rule, aren't known for having rhythm It seems the Good Lord in His wisdom just didn't put it in 'em PAUL: But the White Boys From New Jersey are a notable exception We got the beat from the thumping that preceded our conception. JOHN: Our piano teachers emphasized the study of the classics So we obeyed, and made no waves, pursuing musical scholastics PAUL: Until the day when we combined a waltz together with a rap beat And the concoction really rocked 'n' knocked our socks off JOHN: It was quite neat PAUL: It's a convoluted systematic rhythm JOHN: Johann Strauss is in his grave, but this would flip him PAUL: We took layered polyrhythmic anacruses, JOHN: Hemiolas, arses, icti, and Watusi PAUL: Then we added compound metrical durations JOHN: In the most outrageous rhythmic combinations PAUL: But the reason for this all is not complex: BOTH: We simply want more opportunities for sex JOHN: Do the rap waltz! PAUL: Let's jam! GIRLS: White Boys got rhythm! JOHN: Everybody clap your hands! GIRLS: White Boys got soul! PAUL: Do the rap waltz! JOHN: Make a move! GIRLS: White Boys got rhythm! PAUL: Come dance the White Boys' funky groove! BOTH: Everybody waltz!!! JOHN: Its been awhile since a waltz went all the way to Number One PAUL: So when the White Boys From New Jersey rocked a waltz, the world was stunned JOHN: Ever since our song monopolized the airwaves of the nation BOTH: Weve induced a massive case of musical intoxication PAUL: All the kids are really grooving to our funky kickin cadence JOHN: As we savor the affections of adoring nubile maidens Whod have thought that we could meet so many babes whod make our nights sweet PAUL: By permuting syncopated variations on a white beat? PAUL: It's a convoluted systematic rhythm JOHN: Johann Strauss is in his grave, but this would flip him PAUL: We took layered polyrhythmic anacruses, JOHN: Hemiolas, arses, icti, and Watusi PAUL: Then we added compound metrical durations JOHN: In the most outrageous rhythmic combinations PAUL: But the reason for this all is not complex: BOTH: We simply want more opportunities for sex JOHN: Do the rap waltz! PAUL: Let's jam! GIRLS: White Boys got rhythm! JOHN: Everybody clap your hands! GIRLS: White Boys got soul! PAUL: Do the rap waltz! JOHN: Make a move! GIRLS: White Boys got rhythm! PAUL: Come dance the White Boys' funky groove! BOTH: Everybody waltz!!! JOHN: Welcome to Jumpin John PAUL: And Pumpin Pauls BOTH: Dance studio GIRL: Lets dance! PAUL: Anyone can do it JOHN: Theres really nothing to it PAUL: Just follow our lead: JOHN: On the downbeat you jump up GIRL: Jump it! PAUL: On the upbeat you pump down GIRL: Pump it! JOHN: So get on your feet, get with the beat PAUL: Four, five, six!!! FX: One! GIRL: Jump it! Pump it! FX: Two! GIRL: Pump it! PAUL: Get off your rump! Get off on the thump! JOHN: Slip and slide and bump! PAUL: Push it! Come on! GIRL: Push it! PAUL: Use your tush! JOHN: Itll make your blood boil. GIRL: Give it to me baby. Oh yeah. BOTH: Oom-Pah-Pah!!! PAUL: It's a convoluted systematic rhythm JOHN: Johann Strauss is in his grave, but this would flip him PAUL: We took layered polyrhythmic anacruses, JOHN: Hemiolas, arses, icti, and Watusi PAUL: Then we added compound metrical durations JOHN: In the most outrageous rhythmic combinations PAUL: But the reason for this all is not complex: BOTH: We simply want more opportunities for sex JOHN: Do the rap waltz! PAUL: Let's jam! GIRLS: White Boys got rhythm! JOHN: Everybody clap your hands! GIRLS: White Boys got soul! PAUL: Do the rap waltz! JOHN: Make a move! GIRLS: White Boys got rhythm! PAUL: Come dance the White Boys' funky groove! BOTH: Everybody waltz!!! JOHN: Do the rap waltz! PAUL: Just do it! GIRLS: White Boys got rhythm! PAUL: We're groovin' hard... JOHN: So don't poo-poo it! GIRLS: White Boys got soul! JOHN: It's not Beethoven's Fifth, or Tchaikovsky's Sixth... GIRLS: White Boys got rhythm! BOTH: But it helps the White Boys get their kicks. WOMEN: (Screams) I want John! I want Paul! Ooh, baby, you've got rhythm GIRLS: White Boys got rhythm! © & (P) 1994 John Sawoski & Paul Nahay, P.O. Box 7060, Beverly Hills, CA 90212

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